The Pool of Life

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Liverpool Cathedral

Liverpool Cathedral

This post is a partner to yesterday’s Liverpool sketchbooks (for my archive) – Jung’s dream in 1927 of Liverpool.

His pioneering journey into the unconscious was extraordinary and illumined the way for generations to come.  As I and many others travel on his shoulders, the places he visited keep joining up with mine, and feel startlingly familiar.  I had similar dreams of a dark city, mountainous in scale,  with a glowing centre and even a pool or inlet from the sea.  It was  the city of the mind – a many towered labyrinth.   In one of these dreams I was a fish in the pool, and someone threw a line, hooked my nose and flipped me onto dry land.  Ouch!

Here are extracts from the chapter Confrontation with the Unconscious in Jung’s  “Memories, Dreams, Reflections”.  The chapter first describes the creation of the Red Book. Then:

“I began to understand that the goal of psychic development is the self.  There is no linear evolution;  there is only a circumambulation of the self.  Uniform development exists at most, only at the beginning;  later everything points towards the centre .  This insight gave me stability, and gradually my inner peace returned.  I knew that in finding the mandala as an expression of the self, I had attained what was for me the ultimate.  Perhaps someone else knows more, but not I.

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Window on Eternity by C G Jung - Red Book

Window on Eternity by C G Jung – Red Book

“In 1927 I obtained confirmation of my ideas about the centre and the self by way of a dream.  I represented its essence in a picture which I called ‘Window on Eternity’.  The picture is reproduced in ‘The Secret of the Golden Flower’.  A year later I painted a second mandala, with a golden castle in the centre.  When it was finished, I asked myself, ‘Why is this so Chinese?’

The Golden Castle by C G Jung - Red Book

The Golden Castle by C G Jung – Red Book

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“… Shortly afterwards I received a letter from Richard Wilhelm enclosing the manuscript of a Taoist-alchemical treatise entitled ‘The Secret of the Golden Flower‘, with a request that I write a commentary on it.  I devoured the manuscript at once, for the text gave me an undreamed of confirmation of my ideas about the mandala and the circumambulation of the centre.  That was the first event which broke through my isolation.  I became aware of an affinity;  I could establish ties with someone and someone.

“In remembrance of this coincidence, this synchronicity, I wrote underneath the picture which had made so Chinese an impression on me:  ‘In 1928, when I was painting this picture showing the golden, well fortified castle, Richard Wilhelm in Frankfurt sent me the thousand year old Chinese text on the yellow castle, the germ of the immortal body.’

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Rocky 86.JPG - detail, train in city

“This is the dream I mentioned earlier.  I found myself in a dirty, sooty city.  It was night, and winter, and dark, and raining.  I was in Liverpool.  

With a number of Swiss – say, half a dozen – I walked through the dark streets.  I had the feeling that there we were coming from the harbour, and that the real city was actually up above, on the cliffs.  We climbed up there.  

It reminded me of Basel, where the market is down below and then you go up through the Alley of the Dead, which leads to a plateau above, and so to the Petersplatze and Peterskirche.  

“When we reached the plateau, we found a broad square dimly illumined by street lights, into which many streets converged.  The various quarters of the city were arranged radially around the square.  In the centre was a round pool, and in the middle of it a small island.  

While everything round about was obscured by rain, fog, smoke and dimly lit darkness, the little island blazed with sunlight.  On it stood a single tree, a magnolia, in a shower of reddish blossoms.  It was as though the tree stood in the sunlight and was at the same time the source of light. 

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“My companions commented on the abominable weather, and obviously did not see the tree.  They spoke of another Swiss who was living in Liverpool, and expressed surprise that he should have settled here.  I was carried away by the beauty of the flowering tree and the sunlit island, and thought, ‘I know very well why he has settled here.’  Then I awoke.

Swan Hebrew letter Beit

Swan Hebrew letter Beit

“On one detail of the dream I must add a supplementary comment:  the individual quarters of the city were themselves arranged radially around a central point.  This point formed a small open square illuminated by a larger street lamp, and constituted a small replica of the island.  I knew that the ‘other Swiss’ lived in the vicinity of one of these secondary centres.

“This dream represented my situation at the time.  I can still see the greyish-yellow raincoats, glistening with the wetness of the rain.  Everything was extremely unpleasant, black and opaque – just as I felt then.  But I had had a vision of unearthly beauty, and that is why I was able to live at all.   Liverpool is the ‘pool of life’.  The ‘liver’ according to an old view, is the seat of life – that which ‘makes to live’.” 

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(The Liver of Life!   His Window of Eternity mandala shows – like a grid – the city districts as holograms.  Each is as the whole, with its illumining centre and radii:  our human connectivity, beyond the box of space and time:  macrocosm of the microcosm.  When we awake we discover our imagined isolation was a fantasy.)

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“This dream brought with it a sense of finality.  I saw that here the goal had been revealed. One could not go beyond the centre.  The centre is the goal, and everything is directed towards that centre.  Through this dream I understood that the self is the principle and archetype of orientation and meaning.  Therein lies its healing function … Out of it emerged a first inkling of my personal myth. 

“After this dream I gave up painting mandalas …” 

Jung age 85

Jung age 85

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The Liverpool dream looks to me like a four-dimensional snapshot of Jung’s whole working life.   The lamp which the Red Book kept alight during World War One, glowed very deep, hidden inside the dark, but it passed from soul to soul.

During the following decades, Jung worked with clients – high achievers – who were deeply depressed and searching for a reason to live at all.  European society, collectively shattered by the carnage in the trenches, and with Nazism on the rise, endured dense clouds of scepticism and banality – the mind’s dark glamour.

He discovered that if he encouraged his patients to paint what they felt and saw, something in them took charge of the process and led them to an unexpected interior contact.  As the healing awoke, it took charge of the patient who began to open doors.  

Dr Jung found it had little to do with himself as therapist.  His job was to lead his patients to the underground stream, on which they floated paper boats.   Art therapy was born.   It is for ourselves, each one, to contact the unique inner mystery which unites us.

Wandering Fool with DNA and paper boats

Wandering Fool with DNA and paper boats – 1988

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Jung himself had pioneered the way, through the Red Book;  he told very few people about it, (though he showed some of his paintings to those whom he trusted) – but it rekindled by morphic resonance, as in “Window of Eternity”.

In his book Modern Man in Search of a Soul, he describes the new discoveries with his clients.

Jung and his house at Bollingen

Jung and his house at Bollingen

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Gene Keys Golden Path Program

My adventure invites fellow travellers.  I am a poet, an artist and a seer.  I welcome conversation among the PHILO SOFIA, the lovers of wisdom.

This blog is  a vehicle to promote also my published work – The Sacred India Tarot (with Rohit Arya, Yogi Impressions Books) and The Dreamer in the Dream – a collection of short stories (0 Books). Watch this space.

aquariel link

All art and creative writing in this blog is copyright © Janeadamsart 2012-2014. May not be used for commercial purposes. May be used and shared for non-commercial means with credit to Jane Adams and a link to the web address https://janeadamsart.wordpress.com/

 

Sacred India Tarot Archive – Creation of 5 and 6 of Arrows: & January 2014 New Moon

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Rippling

Rippling – the winds back and forth

Continuing the account of Rohit and my collaboration on the Sacred India Tarot – this project took 9 years overall.  Rohit in India would meditate on each card and email to me his thoughts, together with a visual reference from a comic book or from Indian art itself.   Because of the deck’s universal Archetypes, he and Gautam the publisher determined in 2000 to try and find an artist overseas, rather than a more traditional style.  That is why the deck is painted in a way which is of essence, rather than of standard Indian culture.

They decided to commission me, when Gautam “by chance” saw my drawings of the Jyotish deities, at a business lunch on a visit to England.   There are no accidents.  I “just happened” to bring these drawings along to the meeting – I was accompanying Alan Jacobs.   They were discussing the “art style” book on Ramesh Balsekar, which Gautam was publishing in Mumbai.

The Sacred India Tarot is an unusual project, bridging east and western alchemies.  Rohit is a polymath, an accomplished yogi and a student of Jung’s work.  I had been to India a couple of times, as a student of Ramana, Self enquiry and Siva.   I was impressed with the way Rohit’s Tarot of Indian mythology flowed and fitted so beautifully with the familiar western Archetypes.

As the work went on, Rohit would send me what was on his mind.  As I put pencil to paper, details and symbolisms would rise spontaneously into the picture, which surprised me, and astonished Rohit, who had not thought of them.   This was due to the Yin Yang cross-fertilizing of our cultural backgrounds, and to our mutual flexibility.  It was very rich indeed.   It was a classic example of the creative Magician-Priestess interaction, in the esoteric Tarot psychology.  The male Magician delivers ideas:  the self conscious.  The female Priestess processes and re-presents them, coloured by previous input – the subconscious is “perfectly amenable to suggestion”!   A well balanced interplay of this kind, invokes the Collective archetypes and their story – a bridging of nations, cultures, art and ideas.

We had to create these cards with our life texture, which was often difficult and challenging during this period.  2004/5, when I drew the Suit of Arrows/Swords, was stormy and dense for me.  Rohit also suffered a rocking boat at times.   Simultaneously while drawing the Sacred India Tarot, I began to study full time, the Builders of the Adytum Tarot correspondence course.   I did not draw the Indian deck in BOTA colour language (which is based on specific tonal resonance), but the imagery and understanding were enriched.  The boundaries are fluid and yet distinct.

Rohit is a brilliant and entertaining speaker and teacher.  He has held many courses on the Sacred India Tarot, and on all aspects of Yoga and the Sanatana Dharma.   Here is a link to his work on Youtube:

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and see also … http://www.youtube.com/watch?v=bx7PjENSQG4 – “On the yogic saying Naveenam Naveenam Shanneh Shanneh” – which is the video I originally pasted here.

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Rohit’s Notes
Five of Arrows – Bheeshma resigns throne and sex life

“To allay the apprehensions of the fisherman, Bheeshma renounces the throne and promises to remain a nitya-brahmachari, eternally celibate, so that no children of his will contest the throne with the offspring of his stepmother (the fisher girl his father wants to marry.) This is a personal defeat, but a Cosmic Victory for it is now that the gods themselves give him his new and true name of BHEESHMA – the One of the Terrible Vow.

SITA 5 of Arrows - visual reference from comic book

SITA 5 of Arrows – visual reference from comic book

“His shaken father grants him boons of an extraordinarily prolonged life, as well as invinicibility, with death able to approach only when Bheeshma himself decides it.  Bheeshma could be shown in full armour, holding up five arrows in his hand to take his terrible vow.  The gods are showering flowers upon him from the heavens, awed at his renunciation, while a divine voice booms out his new name.

The fisherman and his daughter can be shown cowering before the sheer force of personality that emanates from the young prince.  It is a very Hindu thought – at the moment of your greatest defeat, is also your greatest victory.

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Sacred India Tarot - the Five of Arrows

Sacred India Tarot – the Five of Arrows

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Interlude – A Sword Under the Ice and Earth

New year's moon Grand Cross astrology

New year’s moon Grand Cross astrology – drawing by JA on 3 January 2014

On New Year’s Day at about 11.30am GMT, we got this gift – a Capricorn New Moon on the Sun, formed an arrow-head with Pluto and Mercury …  and a Grand Cross of Swords.

Jupiter is the Archer (Sagittarius ruler) in Cancer 4th House.  He aims his arrow straight into Capricorn.  Uranus is opposite Mars along the Ascendent axis – the strung bow. The Ascendent is the axis of action, and the Midheaven is the axis of Will.  It is wonderful; the new-moon Sun was almost at the Midheaven.   Our fingers … arrows … point to the moon.

flickriver.com photos jackandjo 4378319759

flickriver.com photos jackandjo 4378319759

Strictly speaking for this Indian-themed post, I should try to compose this chart in Jyotish – with Jupiter as Guru, Mars as Mangala, Mercury as Budhi, and so on.  But here I am in London, a western Capricorn, with my resolutions for now.   The 1 January 2014 chart is an esoteric preview of the coming Grand Cardinal Cross which will manifest on 22 April this year.   For all of us who are sensitive to it, what is unfolding here and now, is likely to bear fruit;  we move in harmony with it.  After the winter Solstice, the new Yang begins to rise through the ground.  I feel at this time, still deeply retired from society, and begin to clean my house and rearrange my cupboards and files.  This is slow, because the downloads – like the Capricorn new moon – continue to arrive, most days.

A cross inside a circle is a symbol of Earth, and of the Hebrew letter TAV:  fulfillment of a design.  You see the angles are not yet exact:  as with a pendulum, Jupiter and Mars will oscillate during the intervening three months, until they fall into the 13th degree of their Signs, together with Uranus and Pluto.

The April Grand Cross occurs at the midpoint of the solar and lunar eclipse fortnight.  Watch the end of February for pointers to the precision.

plant with bokeh

There is not space in this post, to ponder events which impact all of us differently in our depth.  As Peter writes in A View From the Other Side, whatever we planted in 2013, will germinate.

All I can do for now, is draw the Mandala it suggests, and let it speak visually.

I am a huge fan of J.K.Rowling and Harry Potter.  I have read all the books many times, and am half way through The Deathly Hallows again – my favourite.  In the movie on TV this Xmas, I was deeply struck by the Sword of Gryffindor deep under the ice, which Harry dives for:    it shines up through the pond in the winter woods.   Why!   The Sword, forged by mountain goblins, bears the Law of Deliverance.   The Air Suit of Swords/Arrows in our Sacred India Tarot IS that same deliverance of the light through the dark:  the Santanana Dharma through the Mahabharat … as in every “deep fix” within our personal life.  As I wrote in earlier Arrows posts, the Sword of Deliverance operates outside Time – the World of Creation – and manifests sharply on the ground.

So I assembled from google images, this small mosaic:

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Gryffindor_sword_lake_scene-300x209

I love the aspect-angles in this photo

I love the aspect-angles in this photo

Ice painting - idiotic-hat.blogspot.co.uk/2009_01_01_archive.html

Ice painting –  http://idiotic-hat.blogspot.co.uk/2009_01_01_archive.html

I found this photo in http://phoenixweasley.wordpress.com  – a very interesting site.  Hermione after leaving her parents, walks away towards the spire of St Judes in Hampstead Garden Suburb.  It is a dramatic setting:  the architect was Edwin Lutyens.

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The January Grand Cross reminds me of the early pencilled Mandala by Jung, for his Red Book:  it suggests a grand crossing of the Lunar Nodes, for he drew – intuitively or with the knowledge – the glyph of the rising and falling node of his life change.  He was about 37 – just beginning his second Nodal cycle.  (The cycle is 18 and a half years.)

jung's red book, the 1st mandala sketch

jung’s red book, the 1st mandala sketch

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Sacred India Tarot Five of Arrows – Bheeshma’s Renunciation – suggests the point at which the Destiny is greater than the man.  He is no longer of the breeding stock, but serves a higher Order.  The Destiny falls from Heaven as light … as swords of sunlight, or of flowers.  Renouncing his sword of life, he receives the sword of the Spiritual King.

Here now is a working image for the Six of Arrows.  Though he has no children of his own, the older Bheeshma heads a lineage.  His view of the life-scape, and the responsibilities of his individuation,  extend far beyond his personal sphere.   He is aware of the future and of the past, as a Great Circle, seamlessly.

SITA 6 of Arrows - visual reference from comic book

SITA 6 of Arrows – visual reference from comic book

Rohit’s Notes
Six of Arrows – Bheeshma’s years of guardianship of the Kurus

“I suppose the best way to convey the passage of time as well as change – a journey in many stages even when one is unmoving (as the Six represents) – is perhaps a white haired white bearded but still formidable Bheeshma looking out over the palace balcony where the young princes are being trained in archery by Drona.

“We need a sense of receding horizon:  the young people move into the future that he is striving so hard to safeguard.  The six arrows are easily depicted, if we select five young men to represent the Pandavas, and Drona the Guru – all of them on the point of releasing their shafts.  They need not be depicted in great detail even;  a sort of blurry vision through the mists of early morning, as they are practicing, would be fine also.   It would also tie in with the Air suit very well.”

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Sacred India Tarot Six of Arrows

Sacred India Tarot Six of Arrows

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Correspondence, Rohit and Gautam to Jane, July 2004
“The atmosphere is very broody, and suits the Bheeshma character well.  There are a couple of points though.  Bheeshma is perhaps not muscular enough, he looks like a Bruce Lee type of strong man.  To pull on his kind of bow would require muscular overdevelopment – like Conan the Barbarian in Marvel Comics.  This was mentioned in the instructions for card 1.

“Gautam explained that there was some reason for not representing the suit in the dance form of Indonesia or Bali.  That is a great pity, because I really wanted to give an international flavour to the pack, not regiment it or limit to merely Indian forms of representation.  The epics too are really international stories, intellectual property of the world, and Indonesia-Bali has some of the best Hindu art in the world, which was why I was keen on it.

“The Prince looks, I don’t know, slightly financially strapped.  Could we add some plate armour or jewels to his chest or arms, so that the inherent splendour of what he was going to give up comes out stronger?  This looks austere.  The Buddha suit was perfect in conveying the level of luxury he enjoyed.

“But overall as I have said, the psychological accuracy and impact of the suit till now, is remarkable.”

“Rohit”

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The reason was, that during that year I FELT AUSTERE.   My marriage was about to come to an end, and I couldn’t relate to big muscles or research the ornamental extravaganzas of the Balinese mode !   In my sense of the Swords/Arrows, life was stripped down to the truth, pared to the bone in a way:  I could not add to it, or adorn.

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“Dear Jane, here is Rohit’s feedback for the Six of Arrows. The conceptual power of this card is good.  The sense of years passing and Bheesma brooding over the Kurus is terrific.  But he is still too thin and he still has less armour.  He needs to look more muscular.  The old man got stronger as the years went by, as is common with martial artists.”

“Warm regards, Gautam.”

In Rohit’s book with the deck, he comments (in summary):
“Spiritually, Five of Arrows represents the sacrifices and struggles necessary to break through to higher levels of awareness … a phase of reorganization and reorienting one’s priorities … be careful what you pray for – you might get it!

“The name of the gateway in Six of Arrows is ‘Earned Success’.  The card for great reward after enormous effort and patience.  Moving away from troubled times.  Work has to be maintained at fever pitch to ensure the continuance of rewards.  Indomitable spirit, that does not give way to setbacks, however crushing.  Release of tension, like an arrow from a bow.

“Do not run away from yourself.  ‘Quo Vadis’ – where are you going in life?  in your personal and professional work?  Are you doing enough?  Are you patient enough? 

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Here is stated the key to the Action of the Arrows/Swords with destiny – act with it, and be patient!   A truly Capricornian philosophy.  Goats climb into the sky but keep their hooves on the ground.

tumblr_myopprOQFC1s030vgo1_500

Wishing us all, a productive pasture and garden of all the Worlds, for 2014 !

Peace, joy, a kind heart through the gate;  and blessings.

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ocean-seagull-Josh-Blash-10-18-2013-Rye-NH-e1388406612861

ocean seagull at moonrise, photo by Josh Blash

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For other Sacred India Tarot posts, look under Recent Posts, Search, or Archive of All Posts in the title bar.

Rohit Arya

Rohit Arya is an Author, Yogi and Polymath. He has written the first book on Vaastu to be published in the West, {translated into five languages} the first book on tarot to be published in India, co-authored a book on fire sacrifice, and is the creator of The Sacred India Tarot {82 card deck and book}. He has also written A Gathering of Gods. He is  a corporate trainer, a mythologist and vibrant speaker as well as an arts critic and cultural commentator. Rohit is also a Lineage Master in the Eight Spiritual Breaths system of Yoga. 

Earlier posts about the deck, including the first 15 Major Arcana archives are in http://aryayogi.wordpress.com   The deck is copyrighted (c) 2011 to the publishers, Yogi Impressions Books pvt, and available also on Amazon and internationally.

Jane Adams

My adventure invites fellow travellers.  I am a poet, an artist and a seer.  I welcome conversation among the PHILO SOFIA, the lovers of wisdom.

This blog is  a vehicle to promote also my published work – The Sacred India Tarot (with Rohit Arya, Yogi Impressions Books) and The Dreamer in the Dream – a collection of short stories (0 Books). Watch this space.

aquariel link

All original art and creative writing in this blog is copyright © Janeadamsart 2012. May not be used for commercial purposes. May be used and shared for non-commercial means with credit to Jane Adams and a link to the web address https://janeadamsart.wordpress.com/

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Watershed Tale – A Drinking-Glass in the Sea

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drinking glass on sea bed

Many years ago, I dreamed of a drinking-glass in the sea, on the sea-bed, deep down.  It is a “Watershed Tale”, and I was about five months pregnant at the time.

25 January 1977
There was a lone figure – a man – on a beach lit as if by sunset.   He stretched out his arms towards the sea, he was taking part in a ritual.   There were others on the beach.   I loved the pure water of the sea in its strong rough waves, and longed to be in it and of it.   I sat in the sea water, on a rock, with Cathy the little girl from next door.   The water of the tide coming in with bigger and bigger waves, was delicious, cold and pure.   I  didn’t mind getting wet.   The water was beautiful on my body.   The waves were bigger and more powerful, nearly drowning us;  little Cathy was frightened, so I swam the few yards back to shore,   carrying her.   The tide was coming in fast.  

“On the beach I found Cathy had dropped her drinking-glass into the sea.   I didn’t want to lose it, so I ran back and dived into the sea, already deep and surging.   I swam a couple of strokes and then dived under,  right to the bottom. 

“I looked all around.   The water was clear and still beneath the surface surging dangers and turbulence –  I was frightened of those big waves.   First of all I saw something else Cathy had dropped, and brought it up, but it was not the glass,  so I went down again and there, amazingly, was the glass, resting upright on the sands, where I could just reach it with the last breath I had.   So I brought it up triumphantly and to shore.

“Sea –  peace,  austere peace,  like in Beethoven’s quartet Opus 131.”

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I have often thought of this image, and wondered at it, particularly recently.  The glass developed in my interior eye, to an elegant goblet:  but originally it was of green glass, and someone had made it from the bottom of a bottle, filing it smooth around the rim.

green glass and wood flow

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So today I painted it.  It means so many things:  diving into the heart, for one.  The shapely glass is formed from fine sand, from the movement of waves, and by the breath and in fire, it melts and is blown.  How strange, for it to be …  Any human being turned inward, with only a little flower turned outwards, is a bottomless vessel, a drinking glass under the ocean.   I dived for something I lost I think, and I found not that thing, but this, standing on the sandy sea-bed under and in the sea … the outline cannot enclose.

PLEROMA is the empty which is full, and was and is and ever shall be:  the Pleroma where all words fail, you feel it in the heart and in your bones – gnosis:  the gnosis of Carl Jung’s Seven Sermons to the Dead.

Jung as hermit

Jung as hermit

I have been working on this portrait since the weekend.  I had run out of my usual drawing paper, so I used the darker shade.

I am walking with the Red Book, and with the Seven Sermons to the Dead.  A wonderful edition of the Seven Sermons is available to buy online.  It is called The Gnostic Jung, and it is presented by Stephan A.Hoeller.  When he was a very young man in 1949, on a frozen day in Innsbruck he was lent one of the rare copies then in circulation.  All night long he transcribed and translated it, handing the book back to its owner the following day.

The Jungian Gnosis is a creative conjunction of therapeutic discipline with ancient spirituality, which is far more than the sum of its parts.   It is non-academic.   It activates.   It becomes the MEDICINE of the ages.  It heals.

Alchemy through the Red Sea - 2000

Alchemy through the Red Sea – 2000

Deep down there is always peace.  On the surface, a wild weather or a struggle or a crust.   Inside of a tree is like the sea bed.

Be transparent.

Chronically distressed at human poison on its habitat, these days – do we rush to our extinction?   TV ads, idiocy and smartphone media addictions are that.  They are the ragged holes of the nothing, which ate up the living world in Michael Ende’s “The Never Ending Story”.  So many hold this view – should I add to it?   Or reinforce the sap from inside the Tree, a parallel Reality?   We know so little, and the measuring sciences know even less:  just a few tones on the spectrum.

Be happy, do service, die consciously.

Wood bird Yantra

Wood bird Yantra

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The Septus Sermones began when the dead came back from Jerusalem and haunted Jung’s house and upset his family.  The dead had gone to Jerusalem (in his inner journey) in 1914 to pray at the holy graves, and now they were back, and dissatisfied.  The holy graves of religion did not yield fruit.  In three winter evenings, the Seven Sermons were written.

In the Seven Sermons, Jung united the Christian God with Satan, gnostically:  Abraxas.  Abraxas seems to be the blind Will, as in Schopenhauer, which is both dark and light: the parodox of our growth.  Jung elaborated this theme in 1952, in Answer to Job.  He was already familiar with Gnostic literature, and circulated the black book script of the Sermons in a private publication for friends.  The name of the author, Basilides, “fell unexpectedly into my lap like a ripe fruit at a time of great stress, and has kindled a light of hope and comfort for me in my bad hours.”

This was at the beginning of 1916, and at the same time, Jung sketched the first mandala of his Systema Munditotius;  then painted it, later.   (January 16).

Mandalas are the pattern of time across the tree:  the seabed of the soul;  the instrument of wholeness and of healing;  the guardian.  Jung’s first pencil sketch is a classic interior four-gated Mandala: the key to gnosis. See my earlier post.

Continued in Aquariel: Mandala, Abraxas and Angel

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My adventure invites fellow travellers.  I am a poet, an artist and a seer.  I welcome conversation among the PHILO SOFIA, the lovers of wisdom.

This blog is  a vehicle to promote also my published work – The Sacred India Tarot (with Rohit Arya, Yogi Impressions Books) and The Dreamer in the Dream – a collection of short stories (0 Books). Watch this space.

aquariel link

All art and creative writing in this blog is copyright © Janeadamsart 2012-2013. May not be used for commercial purposes. May be used and shared for non-commercial means with credit to Jane Adams and a link to the web address https://janeadamsart.wordpress.com/

The Photon

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Phoenix, copied from Master R's Trinosofia

Phoenix, copied from Master R’s Trinosofia

This post is written in gratitude to all my fellow bloggers and the little Awards for Inspiration we give each other!   The Awards are places where the innumerable great streams of a river meet, and flow along each other.  Watersmeet.  Firebird.

In Alchemy, the first Matter – Sattva or Mercury of the wise – has a luminous substance.  Light on impact illumines and gives birth.  In the subatomic world, photon on impact releases a “new” photon.  Solar energy – at the speed of light – travels and is received in every direction, outward as inward.   Pilgrims along the great Roads of Consciousness, transmit the wisdom onward, everyplace.   Deltas without end form ganglia of transmission, as openly as wave-currents in the sea.

sea movement - maps

sea movement – maps

Then take the wand, and be AS THIS.   Be a lighthouse keeper.

Light inwardly, is CLARITY, the freedom of a perception, unbuffered and silent.   Limitless light concentrates itself in Kether, where the whirling motion begins manifestation.

Everything is Light, everything is the daisy-chain-movement of Light, including the difficulty of childbirth, and of human life and its pollutants, and of red in tooth and claw on earth and in the sea.

Light is obscured whenever the attention on it is lost.  I feel that Light, the movement of Light, is the true nature of time.   The time spent on battling with its dark materials when I lose that tender attention –  is dream-time, what-if time, maya time, imagined time, competitive time, fear-of-death Linear Time.   In that small illusion is trapped the bulk of humanworld and all its buildings and all its energy, crime, false economy and concerns.

When Light-awareness comes around again, it is found to be a seamless continuum:  and in this awareness, the dark materials in their tiny time – all the buildings, media and fatigues – are laid aside.  When I was not aware, I was immersed in the tiny manufactured time.  I was caught in the treadmill, and I got exhausted.

Think of this – which way shall I look?   Into the dark materials?  Or into the seamless Light?   Light it is, that watches the dark materials, and is their uncoiling.  Clarity.

For the dark is itself the Light.

What Reality do I create?

wave trains

wave trains

Intelligence of Transparency

Intelligence of Transparency

Light in this context, is the electricity in my body (manifesting through the blood stream) … the white river’s grace through my open mind … the current through the cable (Key 1) … the planetary polar axis and magnetic field, tiny portions of which are intercepted by humankind’s technology, to keep its own illusion lit up as cities in the dark materials.

The dark-matter throughout the cosmos, which links everything, is consciousness:  even as much of our brain is unexplored space.

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Look up into the Angel's Sound

Look up into the Angel’s Sound

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Angel's sound - Spiral chord polyphony

Angel’s sound – Spiral chord polyphony

I was moved yesterday by Parker Stafford’s post on “How to bear Changes in the World”.  I think it was that one. And also his post about Death.  He said that when he wakes up, he is tuned in to – (my words for it now) -the vast Mother River, our solar Cosmos – the Solar sphere (in my understanding) which embraces Pluto’s orbit, and probably is galactic … the Connectivity.   The delta of the nerve-ends everywhere … in touch.

And Lissa writes of this too – (what an inspiration she is …) – she writes of our open and exposed human feelings which, raw as they are, touch the distant stars … filaments like spider’s string at dawn.   Union, even through distress and grief.

consciousness

consciousness

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Awakening to the sun

Awakening to the sun

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I understand too, that the tiniest movement in the eyelid of Consciousness, has the potential to stir mighty changes.   Human blind-unconscious activity disturbs even the vastness of the magnetic field, which manifests in weather changes.  So much cruelty in human history comes forth into the open now, that the Karmic process is inevitable.   We are a race in its infancy, barely past the destructive tantrum stage.  The habitat we are creating, will force us to maturity.

So – as night and day, sorrow and joy, keep coming – watch the flow of the Light which is Clarity, Existence, Creation … through a million fleeting dark garments.   This is Meditation, with whatever tools you need, to hand.

Be Loved.

Wandering Fool with paper boats and hats

Wandering Fool with paper boats and hats

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path of the phoenix

path of the phoenix

The photos of the sea and sky were taken by my daughter,
on her coastal path in Cornwall.

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My adventure invites fellow travellers.  I am a poet, an artist and a seer.  I welcome conversation among the PHILO SOFIA, the lovers of wisdom.

This blog is  a vehicle to promote also my published work – The Sacred India Tarot (with Rohit Arya, Yogi Impressions Books) and The Dreamer in the Dream – a collection of short stories (0 Books). Watch this space.

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All art and creative writing in this blog is copyright © Janeadamsart 2012-2013. May not be used for commercial purposes. May be used and shared for non-commercial means with credit to Jane Adams and a link to the web address https://janeadamsart.wordpress.com/