Sacred India Tarot Archive – 7 and 8 of Arrows: Bheeshma’s Dharma

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Zain

Zain

Seven of Arrows – Rohit’s Notes

We need a picture of Bheeshma sitting on his seat of authority, while in the far corner three Kaurava plotters, out of his line of vision, are cooking up mischief against the Pandavas.  This was a generic behaviour pattern;  it does not even need to be specified which particular plot it was.  If we could show them attempting to guiltily shield themselves further from the old man’s gaze by holding up a screen of seven arrows, then we have captured the element of deceit and underhandedness that characterizes the card.”

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Sacred India Tarot - Seven of Arrows

Sacred India Tarot – Seven of Arrows

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Rohit’s Notes on Conspiracy – from the Book with the Deck: 
“Bheeshma enters a period where the rancour and envy of Duryodhana manifests in constant conspiracies against the Pandavas.  Out of deference, they intrigue furiously behind the Grandsire’s back, concealing their murderous intentions nevertheless poorly … … Nepotism as a cultural value triumphs over almost any other ethical imperative for a certain type of Indian, and is the Shadow of its famous familial strength.

“In one of his better moments of honest self appraisal, Duryodhana laments to Bheeshma, ‘Knowing the good I ignore it.  Recognising the bad, I nevertheless follow it.  My inherent nature is such.’

“The energy of this card is erratic, causing even sensible people to act strangely.  Matters complex and contradictory.  Restlessness, agitation, should be paid attention to.  The uncovering of plots and conspiracies, especially in office politics.   Act with stealth, cunning and strength to protect oneself, and keep cards close to the chest … Strategy forestalls the need for combat.”

Sacred India Tarot ace of arrows, detail

Sacred India Tarot ace of arrows, detail

Jane’s Notes
The failure of trust awakens war.  When I painted this card, I was struck by Rohit’s analogy that the conspirators should hold up a screen of seven arrows entangled.  It is like this lattice of red arrows which block the Ganga in the Ace.

The King however – meaning the Self – reflects uneasily, and in depth, the knotted shadows in his soul and lineage.  The burden of this King is his preparation for the future.  He carries the dharma of society.  The great civil war of the Mahabaratha broke out, and had to run its course.  The depth of human hell is like a root.  It seems to pull as by gravity, Krishna from the sky:  the Vishnu avatar represents the Dharma or cosmic law, enters the action and in due course prevails.   When we are in the dark, it is virtually impossible to see its opposite.

Reflect also on inevitable individual episodes of doubt, depression and fragmentation:  the locked-up paranoia, and what happens when it dispels: cautiously I behold the landscape around and illumining the small murk of my belief.
It is different from what I believed.

Rohit continues:  “The 7 of Arrows’ shadow is the thief – the theft of ideas, time, energy;  the conniving, manipulative politician.  A stealthy dangerous aura pervades the card, like a venomous serpent crossed with a fox … Inept and inefficient thieves, who cannot hold onto their plunder. … … Lock up your creative output well.  Where do you need to be a bit political?  What do you have that arouses envy?”

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Correspondence 13 September 2004 – Arrows 7 Feedback
“Dear Jane, Given below is Rohit’s feedback for Arrows 7.  We will put together the material on the Cups and let you have it as soon as possible.  We had sent an airmail with a Comic book and some references for the Arrows.  Please let me know if we need to resend. Warm regards, Gautam.”

“I like the look and feel of the card immensely. The creepy, deceitful aspect of the energy is conveyed well.  This card is one of the danger flags in the Tarot, and the sly deception practiced on those who are too noble to realise people can be very nasty indeed, is well brought out.  Psychologically, Jane has hit an extraordinary vein of authenticity in this suit.  A few minor points.  Bheeshma’s armour should always be silver. The blue wavy tinge is very appropriate for the Air element of the suit, but so is silver, and that is what he actually wore.  Next, his beard is fluctuating in dimensions.  In others, it seems fuller.  Otherwise the card is fine.”
“Rohit.”

Jane’s Notes:
While painting the Arrows suit, I got rather bogged down, and requested the material for the Cups/Lotuses, to lift things along a bit.  So I painted the Lotuses (tales of Siva and Parvati) alongside the remaining Arrows cards.  The next Arrows card, the 8, shows that increment of Shakti or feminine energy.

This Archive follows a slightly different order than the one in the book (Disks, Lotuses, Staves, Arrows).  It is determined by strong symbols arising towards the end of a suit, which indicated the next one, spontaneously.  Thus we have:  Disks, Lotuses and Arrows, Staves.

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Eight of Arrows – Bheeshma Offers his Life to Krishna

Sacred India Tarot 8 of Arrows, visual reference

Sacred India Tarot 8 of Arrows, visual reference

Krishna’s descent into the fray, with his Galactic Discus wheel, is a tremendous archetype. We see Bheeshma – representing the ego – voluntarily disable himself.  There are situations we are powerless to change.  Only the Upper Worlds have that dimension.

Rohit’s Notes for the card: 
“Bheeshma is attacked by Krishna and refuses to fight him.  The visual reference provided is terrible art (see above), but it does indeed convey what we are trying to communicate.  It should be a scene of carnage with a furiously energetic Krishna and an ecstatic Bheeshma, delighted he will get moksha (liberation) by being killed by the Lord. 

“The gorgeousness of the Thai costumes could be well brought out in this card:  Krishna could be a blaze of saffron yellow, and Bheeshma in blinding white.  Krishna should be extremely muscular, and if there is space he should be shown with Saiva markings on his forehead, as he used to pray to Siva before every day’s battle on the field of Kurukshetra.”

And from the book with the deck: 
“War has come to Hastinapur.  Bheeshma’s long life of sacrifice and peacemaking lies in ruins … His dreams shattered, he nevertheless fights for duty, loyalty, and because he is still Devavratha, son of an immortal, still invincible at this advanced age, hoping against hope to shame the foes into peace.  It is futile.  The Kings of India have leagued themselves into a Pandava camp, and they rend and devastate in a ghastly Gotterdammering.  An age, a civilization, is annihilating itself, and Bheeshma by a supreme irony leads the carnage.  The god Krishna has planned for this horrific outcome.  He wishes to dissolve a rapidly corrupting aristocracy, signally failing its nation, and replace it with a more benevolent, humanitarian Pandava rule … Krishna takes matters in his own hands, threatening to kill Bheeshma with a chariot wheel.

“… Death at Krishna’s hands is instant liberation for the soul – Bheeshma is tired of life and cannot believe his luck at being offered such a spectacular exit … His death is his grandchild Arjuna’s portion of fate.”

(Memo to Rohit – but Rohit, I thought Bheeshma didn’t have any children?)

“In a reading of this card, all 8’s are end-of-Karma cards.  The inspiration of intelligence to overcome crisis, but blood will be drawn.   Not much space to manoeuvre, but adequate.  Hold onto one thing, one thought, and it will show the way out.  Financially, a down phase, even a bad luck cycle.  Self imposed limitations can be discarded, veils pierced, so spiritually a high card;  when the going gets tough, the tough manage to escape.  Ask for help and heed the advice given.  This too shall pass.

“Are you in a co-dependent relationship?  Are you feeling sorry for yourself?  How is psychological paralysis rewarding you?” 

Sacred India Tarot, 8 of Arrows - Bheeshma offers his Life to Krishna

Sacred India Tarot, 8 of Arrows – Bheeshma offers his Life to Krishna

A chariot wheel consumed by fire in the background, represents the battle and the demolition of the old.  Bheeshma was, all his long life, an end-of-Karma 8-of-Arrows character. He put himself beyond the breeding-line, but he bore the epic Consciousness.   His full destiny awakes, together with his physical fear, as he welcomes eye to eye, the god who slays him.  The sword – representing lineage – topples from his hand.  The Wheel of divine Dharma replaces the wheel of human carnage.

Correspondence from Rohit and Gautam
Dear Jane, in addition to our earlier mail regarding adding the palm tree on the shield, Rohit asked me to mention that he just remembered the palm tree is to be depicted along with 5 stars.  Regards, Gautam.”

I didn’t rectify this, so the shield remains with three stars.  Originally it was blank.

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Krishna and Arjuna

Krishna and Arjuna

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I now attach these thoughts by Jung, because Rohit in India was a student of his work long before I became so.  One of the things which most impressed me when we began the project, was Rohit’s deep comprehension of the Jungian Archetypes, and their equivalent in Indian mythology.  I recognised them in his east-west Tarot translation.

When I was aspiring to my highest worldly power, the spirit of the depths sent me nameless thoughts and visions, that wiped out the heroic aspiration in me as our time understands it.

C.G.Jung, The Red Book

Jung photo2

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Ice when a Companion treads the pond,
seeking the sunken Sword,
cracks, splinters and sighs.

ice-swords

ice-swords

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“Incapacity prevents further ascent. Greater height requires greater virtue.  We do not possess it.  We must first create it by learning to live with our incapacity.  We must give it life.  For how else shall it develop into ability?  We cannot slay our incapacity and rise above it.  But … incapacity will overcome us and demand its share of life.  Our ability will desert us …  Yet it is no loss but a gain, not for outer trappings however, but for inner capability.  The one who learns to live with his incapacity has learned a great deal.”

Ibid

(Yes, indeed!   Thus the shatterings, and being human).

Jung/Philemon said of the spirit of the times, during the first War:  “If all heroism is erased, we fall back into the misery of humanity and into even worse.  Our foundations will be caught up in excitement since our highest tension, which concerns what lies outside us, will stir them up. (see media and cellphone technology).  We will fall into the cesspool of our underworld, among the rubble of all the centuries in us.”   (See the present crises.)  … “the black serpents and the reddish sun of the depths” (the rise of Nazism then to come).  In the Red Book, this is followed by a remarkable transcending dialogue:  the paradox of God – the significance of the Whole, above small concepts of the perfect.

No one has my God, but my God has everyone, including myself … So it is always only the one God, despite his multiplicity.  You arrive at him in yourself, and only through your Self seizing you.  It seizes you in the advancement of your life.”

There is something deeply detached in prophesying the seemingly everlasting human hells, as a natural human syntax.   For the hells are actually ephemeral.  They are engraved in our habitual speech and expectation.  At any moment can be chosen the eternal non-existence of the hells.  Create Reality.   It is paradoxical, for the healer sits with the wounded.   Companions of the soul.

The Heroic is the power to discriminate:  to use the Sword correctly and with precision.

“Consequently you sin against incapacity.  But incapacity exists.  No one should deny it, find fault with it, or shout it down.”

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Tai Ch'i movement

I am not a Tai Ch’i practitioner, but I intuit something of the Sword Form in this art:  and the fluid dantien in the belly around which it flows.

That point is gravity. It is surely no coincidence that Rohit initially requested a more far-Eastern flavour in the suit of Arrows/Swords.  I did not really fulfill this at the time.

The Swords, as I described earlier in this series, are the play of Light:  swords of sunlight through the dark woods, or in and out of clouds:  on the ground we play with sticks and stones.  The Sword form as a martial art, flows as the Air.

grail trees

grail trees

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Last weekend, came some understanding, and I wrote:
“Move with the movement, keeping still, move with the Tao in its flow of balancing, re-equilibrating.  What seems dark to you is the water moving, and nature’s exquisite tendency to flow in and out of stress-points.   Sitting on the nub of what seems to be depression and insecurity, is a place from which to view the ebb and flow of life;  without judgement, including the mood, without the mood:  Tao is uncertainty.  Don’t make it an enemy.”

Cup and sword

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The still, small voice
connects.

If you look HERE
you find.

If you play with your sword
you won’t ;  but I’m HERE
our bridge.

You may not hear
what touches you

but HERE, my songs
in your tree, are lovebirds.

from Poems of Eclipse, 1999

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My adventure invites fellow travellers.  I am a poet, an artist and a seer.  I welcome conversation among the PHILO SOFIA, the lovers of wisdom.

This blog is  a vehicle to promote also my published work – The Sacred India Tarot (with Rohit Arya, Yogi Impressions Books) and The Dreamer in the Dream – a collection of short stories (0 Books). Watch this space.

aquariel link

All art and creative writing in this blog is copyright © Janeadamsart 2012-2014. May not be used for commercial purposes. May be used and shared for non-commercial means with credit to Jane Adams and a link to the web address https://janeadamsart.wordpress.com/

Sacred India Tarot Archive – Creation of 5 and 6 of Arrows: & January 2014 New Moon

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Rippling

Rippling – the winds back and forth

Continuing the account of Rohit and my collaboration on the Sacred India Tarot – this project took 9 years overall.  Rohit in India would meditate on each card and email to me his thoughts, together with a visual reference from a comic book or from Indian art itself.   Because of the deck’s universal Archetypes, he and Gautam the publisher determined in 2000 to try and find an artist overseas, rather than a more traditional style.  That is why the deck is painted in a way which is of essence, rather than of standard Indian culture.

They decided to commission me, when Gautam “by chance” saw my drawings of the Jyotish deities, at a business lunch on a visit to England.   There are no accidents.  I “just happened” to bring these drawings along to the meeting – I was accompanying Alan Jacobs.   They were discussing the “art style” book on Ramesh Balsekar, which Gautam was publishing in Mumbai.

The Sacred India Tarot is an unusual project, bridging east and western alchemies.  Rohit is a polymath, an accomplished yogi and a student of Jung’s work.  I had been to India a couple of times, as a student of Ramana, Self enquiry and Siva.   I was impressed with the way Rohit’s Tarot of Indian mythology flowed and fitted so beautifully with the familiar western Archetypes.

As the work went on, Rohit would send me what was on his mind.  As I put pencil to paper, details and symbolisms would rise spontaneously into the picture, which surprised me, and astonished Rohit, who had not thought of them.   This was due to the Yin Yang cross-fertilizing of our cultural backgrounds, and to our mutual flexibility.  It was very rich indeed.   It was a classic example of the creative Magician-Priestess interaction, in the esoteric Tarot psychology.  The male Magician delivers ideas:  the self conscious.  The female Priestess processes and re-presents them, coloured by previous input – the subconscious is “perfectly amenable to suggestion”!   A well balanced interplay of this kind, invokes the Collective archetypes and their story – a bridging of nations, cultures, art and ideas.

We had to create these cards with our life texture, which was often difficult and challenging during this period.  2004/5, when I drew the Suit of Arrows/Swords, was stormy and dense for me.  Rohit also suffered a rocking boat at times.   Simultaneously while drawing the Sacred India Tarot, I began to study full time, the Builders of the Adytum Tarot correspondence course.   I did not draw the Indian deck in BOTA colour language (which is based on specific tonal resonance), but the imagery and understanding were enriched.  The boundaries are fluid and yet distinct.

Rohit is a brilliant and entertaining speaker and teacher.  He has held many courses on the Sacred India Tarot, and on all aspects of Yoga and the Sanatana Dharma.   Here is a link to his work on Youtube:

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and see also … http://www.youtube.com/watch?v=bx7PjENSQG4 – “On the yogic saying Naveenam Naveenam Shanneh Shanneh” – which is the video I originally pasted here.

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Rohit’s Notes
Five of Arrows – Bheeshma resigns throne and sex life

“To allay the apprehensions of the fisherman, Bheeshma renounces the throne and promises to remain a nitya-brahmachari, eternally celibate, so that no children of his will contest the throne with the offspring of his stepmother (the fisher girl his father wants to marry.) This is a personal defeat, but a Cosmic Victory for it is now that the gods themselves give him his new and true name of BHEESHMA – the One of the Terrible Vow.

SITA 5 of Arrows - visual reference from comic book

SITA 5 of Arrows – visual reference from comic book

“His shaken father grants him boons of an extraordinarily prolonged life, as well as invinicibility, with death able to approach only when Bheeshma himself decides it.  Bheeshma could be shown in full armour, holding up five arrows in his hand to take his terrible vow.  The gods are showering flowers upon him from the heavens, awed at his renunciation, while a divine voice booms out his new name.

The fisherman and his daughter can be shown cowering before the sheer force of personality that emanates from the young prince.  It is a very Hindu thought – at the moment of your greatest defeat, is also your greatest victory.

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Sacred India Tarot - the Five of Arrows

Sacred India Tarot – the Five of Arrows

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Interlude – A Sword Under the Ice and Earth

New year's moon Grand Cross astrology

New year’s moon Grand Cross astrology – drawing by JA on 3 January 2014

On New Year’s Day at about 11.30am GMT, we got this gift – a Capricorn New Moon on the Sun, formed an arrow-head with Pluto and Mercury …  and a Grand Cross of Swords.

Jupiter is the Archer (Sagittarius ruler) in Cancer 4th House.  He aims his arrow straight into Capricorn.  Uranus is opposite Mars along the Ascendent axis – the strung bow. The Ascendent is the axis of action, and the Midheaven is the axis of Will.  It is wonderful; the new-moon Sun was almost at the Midheaven.   Our fingers … arrows … point to the moon.

flickriver.com photos jackandjo 4378319759

flickriver.com photos jackandjo 4378319759

Strictly speaking for this Indian-themed post, I should try to compose this chart in Jyotish – with Jupiter as Guru, Mars as Mangala, Mercury as Budhi, and so on.  But here I am in London, a western Capricorn, with my resolutions for now.   The 1 January 2014 chart is an esoteric preview of the coming Grand Cardinal Cross which will manifest on 22 April this year.   For all of us who are sensitive to it, what is unfolding here and now, is likely to bear fruit;  we move in harmony with it.  After the winter Solstice, the new Yang begins to rise through the ground.  I feel at this time, still deeply retired from society, and begin to clean my house and rearrange my cupboards and files.  This is slow, because the downloads – like the Capricorn new moon – continue to arrive, most days.

A cross inside a circle is a symbol of Earth, and of the Hebrew letter TAV:  fulfillment of a design.  You see the angles are not yet exact:  as with a pendulum, Jupiter and Mars will oscillate during the intervening three months, until they fall into the 13th degree of their Signs, together with Uranus and Pluto.

The April Grand Cross occurs at the midpoint of the solar and lunar eclipse fortnight.  Watch the end of February for pointers to the precision.

plant with bokeh

There is not space in this post, to ponder events which impact all of us differently in our depth.  As Peter writes in A View From the Other Side, whatever we planted in 2013, will germinate.

All I can do for now, is draw the Mandala it suggests, and let it speak visually.

I am a huge fan of J.K.Rowling and Harry Potter.  I have read all the books many times, and am half way through The Deathly Hallows again – my favourite.  In the movie on TV this Xmas, I was deeply struck by the Sword of Gryffindor deep under the ice, which Harry dives for:    it shines up through the pond in the winter woods.   Why!   The Sword, forged by mountain goblins, bears the Law of Deliverance.   The Air Suit of Swords/Arrows in our Sacred India Tarot IS that same deliverance of the light through the dark:  the Santanana Dharma through the Mahabharat … as in every “deep fix” within our personal life.  As I wrote in earlier Arrows posts, the Sword of Deliverance operates outside Time – the World of Creation – and manifests sharply on the ground.

So I assembled from google images, this small mosaic:

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Gryffindor_sword_lake_scene-300x209

I love the aspect-angles in this photo

I love the aspect-angles in this photo

Ice painting - idiotic-hat.blogspot.co.uk/2009_01_01_archive.html

Ice painting –  http://idiotic-hat.blogspot.co.uk/2009_01_01_archive.html

I found this photo in http://phoenixweasley.wordpress.com  – a very interesting site.  Hermione after leaving her parents, walks away towards the spire of St Judes in Hampstead Garden Suburb.  It is a dramatic setting:  the architect was Edwin Lutyens.

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The January Grand Cross reminds me of the early pencilled Mandala by Jung, for his Red Book:  it suggests a grand crossing of the Lunar Nodes, for he drew – intuitively or with the knowledge – the glyph of the rising and falling node of his life change.  He was about 37 – just beginning his second Nodal cycle.  (The cycle is 18 and a half years.)

jung's red book, the 1st mandala sketch

jung’s red book, the 1st mandala sketch

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Sacred India Tarot Five of Arrows – Bheeshma’s Renunciation – suggests the point at which the Destiny is greater than the man.  He is no longer of the breeding stock, but serves a higher Order.  The Destiny falls from Heaven as light … as swords of sunlight, or of flowers.  Renouncing his sword of life, he receives the sword of the Spiritual King.

Here now is a working image for the Six of Arrows.  Though he has no children of his own, the older Bheeshma heads a lineage.  His view of the life-scape, and the responsibilities of his individuation,  extend far beyond his personal sphere.   He is aware of the future and of the past, as a Great Circle, seamlessly.

SITA 6 of Arrows - visual reference from comic book

SITA 6 of Arrows – visual reference from comic book

Rohit’s Notes
Six of Arrows – Bheeshma’s years of guardianship of the Kurus

“I suppose the best way to convey the passage of time as well as change – a journey in many stages even when one is unmoving (as the Six represents) – is perhaps a white haired white bearded but still formidable Bheeshma looking out over the palace balcony where the young princes are being trained in archery by Drona.

“We need a sense of receding horizon:  the young people move into the future that he is striving so hard to safeguard.  The six arrows are easily depicted, if we select five young men to represent the Pandavas, and Drona the Guru – all of them on the point of releasing their shafts.  They need not be depicted in great detail even;  a sort of blurry vision through the mists of early morning, as they are practicing, would be fine also.   It would also tie in with the Air suit very well.”

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Sacred India Tarot Six of Arrows

Sacred India Tarot Six of Arrows

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Correspondence, Rohit and Gautam to Jane, July 2004
“The atmosphere is very broody, and suits the Bheeshma character well.  There are a couple of points though.  Bheeshma is perhaps not muscular enough, he looks like a Bruce Lee type of strong man.  To pull on his kind of bow would require muscular overdevelopment – like Conan the Barbarian in Marvel Comics.  This was mentioned in the instructions for card 1.

“Gautam explained that there was some reason for not representing the suit in the dance form of Indonesia or Bali.  That is a great pity, because I really wanted to give an international flavour to the pack, not regiment it or limit to merely Indian forms of representation.  The epics too are really international stories, intellectual property of the world, and Indonesia-Bali has some of the best Hindu art in the world, which was why I was keen on it.

“The Prince looks, I don’t know, slightly financially strapped.  Could we add some plate armour or jewels to his chest or arms, so that the inherent splendour of what he was going to give up comes out stronger?  This looks austere.  The Buddha suit was perfect in conveying the level of luxury he enjoyed.

“But overall as I have said, the psychological accuracy and impact of the suit till now, is remarkable.”

“Rohit”

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The reason was, that during that year I FELT AUSTERE.   My marriage was about to come to an end, and I couldn’t relate to big muscles or research the ornamental extravaganzas of the Balinese mode !   In my sense of the Swords/Arrows, life was stripped down to the truth, pared to the bone in a way:  I could not add to it, or adorn.

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“Dear Jane, here is Rohit’s feedback for the Six of Arrows. The conceptual power of this card is good.  The sense of years passing and Bheesma brooding over the Kurus is terrific.  But he is still too thin and he still has less armour.  He needs to look more muscular.  The old man got stronger as the years went by, as is common with martial artists.”

“Warm regards, Gautam.”

In Rohit’s book with the deck, he comments (in summary):
“Spiritually, Five of Arrows represents the sacrifices and struggles necessary to break through to higher levels of awareness … a phase of reorganization and reorienting one’s priorities … be careful what you pray for – you might get it!

“The name of the gateway in Six of Arrows is ‘Earned Success’.  The card for great reward after enormous effort and patience.  Moving away from troubled times.  Work has to be maintained at fever pitch to ensure the continuance of rewards.  Indomitable spirit, that does not give way to setbacks, however crushing.  Release of tension, like an arrow from a bow.

“Do not run away from yourself.  ‘Quo Vadis’ – where are you going in life?  in your personal and professional work?  Are you doing enough?  Are you patient enough? 

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Here is stated the key to the Action of the Arrows/Swords with destiny – act with it, and be patient!   A truly Capricornian philosophy.  Goats climb into the sky but keep their hooves on the ground.

tumblr_myopprOQFC1s030vgo1_500

Wishing us all, a productive pasture and garden of all the Worlds, for 2014 !

Peace, joy, a kind heart through the gate;  and blessings.

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ocean-seagull-Josh-Blash-10-18-2013-Rye-NH-e1388406612861

ocean seagull at moonrise, photo by Josh Blash

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For other Sacred India Tarot posts, look under Recent Posts, Search, or Archive of All Posts in the title bar.

Rohit Arya

Rohit Arya is an Author, Yogi and Polymath. He has written the first book on Vaastu to be published in the West, {translated into five languages} the first book on tarot to be published in India, co-authored a book on fire sacrifice, and is the creator of The Sacred India Tarot {82 card deck and book}. He has also written A Gathering of Gods. He is  a corporate trainer, a mythologist and vibrant speaker as well as an arts critic and cultural commentator. Rohit is also a Lineage Master in the Eight Spiritual Breaths system of Yoga. 

Earlier posts about the deck, including the first 15 Major Arcana archives are in http://aryayogi.wordpress.com   The deck is copyrighted (c) 2011 to the publishers, Yogi Impressions Books pvt, and available also on Amazon and internationally.

Jane Adams

My adventure invites fellow travellers.  I am a poet, an artist and a seer.  I welcome conversation among the PHILO SOFIA, the lovers of wisdom.

This blog is  a vehicle to promote also my published work – The Sacred India Tarot (with Rohit Arya, Yogi Impressions Books) and The Dreamer in the Dream – a collection of short stories (0 Books). Watch this space.

aquariel link

All original art and creative writing in this blog is copyright © Janeadamsart 2012. May not be used for commercial purposes. May be used and shared for non-commercial means with credit to Jane Adams and a link to the web address https://janeadamsart.wordpress.com/

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