The Queen and the King – Part One – A Kabbalist’s Impression

pansy for gk30

9-11 September 2022

This is Part One of a pair of posts – linked to Part Two, “The Queen, King and Commonwealth – an Epiphany.”

When I saw the photo of the Queen taken on 6 September at Balmoral moments before she welcomed the new PM, I was moved by the radiance in her face … with her departure just 2 days away.

Here is my tribute:

1 queen elizabeth 6 sept (1) copy

The hearth-fire symbolises the nation’s heart – often hidden behind the coals.  We might see faces in the fire?  A friend  spotted an “Indian master in a turban” – profiled among the flames and so did others – an “accidental”. Britain’s link with India from the Raj until Gandhi and independence was both good and bad;  the relationship struck deep. Vivekananda visited these shores in Victoria’s time; Theosophy and Krishnamurti followed. The earliest Westerners to settle with Ramana Maharshi at Arunachala were English.  My friend said, “Could this be the Queen’s Magid (companion of the Light) waiting to escort her?” 

1a Indian master in the fire

2 queen elizabeth 6 sept (2) copy

… and herself perhaps a few months ago … that tired but firm little hand held and greeted hundreds, tens, hundreds of thousands and more?

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12 September                  TRIBUTE

And here is my first one of the new King. On the Tree of Life the monarch represents “Tifareth” – the country’s heart centre; as Prince of Wales at Highgrove he sowed good organic seed through “interesting times”. I feel I grew up in nature near him like my brother – we are the same age, we share an early fascination for the sheep on Scottish hills AND the tensions of the spiritual quest. This is significant in our post-war generation and the huge changes and unrest afoot.

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During his hardworking Princely years I admired his spiritual courage and his stubborn unorthodox dedication to ethical values in environment, architecture, and the business networks; his wide ranging experience of the world, his mature understanding of people, his own flaws, his sensitivity, and wicked sense of fun; his loved one at his side. This King was a visionary pioneer all his life – and it was a hard learning curve for him to balance that with his royal duties.

Something reached out to me in the photo. Those hats are difficult to draw, let alone to bring out the human being under them!

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KABBALAH – TOLEDANO TRADITION

My teacher the late Zev ben Shimon Halevi (Warren Kenton) and our new King Charles met several times over the years. They respected one another though Charles was not his student.  

My reflection on the Queen’s funeral and succession is tethered on the Kabbalist principle of expansion and contraction. Britain expanded as an empire and contracted as an island.  Some of us sit on the monarchical fence and some of us on the republican fence. My vocation is to find and honour the Middle Way inclusively; the quality of life which Queen Elizabeth II lived, and  remained loyal to, whatever her opinions may have been. Look at what her dedicated example inspired in people’s hearts around the world. This in essence is likely to endure. With international and government issues she remained resolutely neutral, yet her friendly shrewd words, her touch and gesture travelled many times further than she did.  She was a Servant in the highest sense.

The Tree of Life is my navigational instrument.  It helps me to perceive the elegant Design in the laws of Creation, life and government – action upon reaction – whose electricity is  played out over three pillars  – Jakin/Active, Bohaz/Receptive, and the central Consciousness. Those pillars form a trinity: the poles of male, female and neutral (androgyne).  

5 tree of life Sefira

For more information of Toledano tradition visit http://www.kabbalahsociety.org

I try to view events and the inner life through the Tree’s Four Worlds – those of Divine Emanation, Creation, Formation (the psyche) and the Material world.   What manifests through our senses and through collective mind, are the lowest rungs of Jacob’s Ladder: the temporary end product of a process which constantly downloads through those Four Worlds.  We are a project yet incomplete.  Should we mistake the scaffolding for the completed building?

The word “Kabbalah” means “Receive”. The Tree’s heart centre is Tifareth, Beauty.  
“Let us form a Vessel.”

As the monarchy and politics play out their roles on the Tree’s right and left pillars, I trace an inner story through the Centre.  

Here is my personal reflection.

 

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13-15 September             SOVEREIGN ROLE

Was the royal desk in truth ever as tidy as that?

6 King Charles iii (2) copy

As Prince of Wales, our King possessed many more interests and arms than an octopus and a dedicated court of toiling delegates to carry out his abundant schemes. He has been a walking Renaissance, integrating his enquiring spirituality with pioneering initiatives in government, music, organic farming, architecture, the armed services, the business world, the Duchy of Cornwall, ecology and climate change, politics, watercolour painting, and intimate friendships. He designed and built a new town in Dorchester on holistic community principles. He was instrumental in resurrecting an almost lost art of sacred geometry in the Middle East; he was a close friend of the late Keith Critchlow.

Look up their role in the restoration of the Minbar of Saladin in Jerusalem.  A Minbar is “a Ladder to Heaven” and from it the Imam addressed the faithful.

This fascinating sequence of 5 threaded videos details the 12th century history of the Minbar, its destruction on August 21,1969 by a fundamentalist Christian tourist (Michael Rohan) and its reconstruction 20 years later by the Bedouin architect Minwer Al-M’Heid with the support of the Prince of Wales and Keith Critchlow who together had created a School for sacred craftsmanship.

History came full circle to turn an opening creative spiral – from destruction and war to knowledge and Light.

This is just one example of the King’s (then Prince of Wales) projects and sponsorship which brought nations, communities and cultures together in the spirit of tolerance and peace.  Those who question how much he cost might consider the long-term value for their money?

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In his words: “What I was so proud about – if I’m allowed to have a tiny bit of pride – is that it was the School … who had rediscovered the underlying geometric patterns that had enabled this great Minbar to be built in the first place, with equally as much love and devotion and skill and dedication and care on the part of all the wonderful craftsmen who put so much of their hearts and souls into this Work.

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Minwer

Let Minwer Al-M’Heid the architect and engineer of the restored Minbar of Saladin, sponsored by the then Prince of Wales, conclude:

“When you see it happening, when you see all these pieces you have worked with, all these 16,000 pieces that are put together with no glue, no nails, all of a sudden appearing as one Unit – that’s the Unity.  That’s what we feel as something which gives us also great humbleness.  

“We see what our ancestors have done and that art has a meaning, not ‘art for art’s sake’.  Although this is a piece of Islamic art it is in fact based on Universal principles – a joy for everyone who sees it.”

minbar 20

The ancient sacred craft – and the network of its Guilds – was resurrected in the nick of time. Without the providential convergence of the Prince of Wales, Keith Critchlow, the King of Jordan and the architect Minwer Al-M’Heid, it would have been lost for ever.  Quiet creative hands awaken a chrism of healing patterns through the chaos of war and walls – a School of the Soul at work.

ragged robin 

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All this creative activity is distilled into one surrendered vow to receive and serve the realm. The King is human, oh so human and all too human. Let us watch him with interest!

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While I drew his portrait here, I watched his and Camilla’s state visit to Northern Ireland pouring oil among troubled Sinn Fein at Hillsborough castle and meeting the Irish President  – a diplomatic gathering of wounds for chrism and the soft way the sovereign glides, encounters, embraces and speaks – imagine that mellifluous twinkle coming at you – and his dear Queen Consort works the room with equal skill – like a bird. Everyone in black. I witnessed a collective therapy … may those fragile fibres begin to cohere and to sustain life – what a privilege to see the King at work!

8 charles irish president

Here he greets the Irish president

For long intervals the Sky-News commentators were silent for you to hear that gathered genial sound in the room, the conversations, the whispered greetings of many rivers, many fading wars.

During the service in Belfast Cathedral which they attended, Alastair Bruce of “Sky” noted:
“… different elements of the Catholic faith here in Northern Ireland;  and no Sovereign could be under any doubt of the history and importance of these different views on faith, than the King … acknowledging faith, find their own understanding for the way the world works and a Deity in that process … the monarchy wove a tapestry of time through this country (Ireland) …”

A stillness descends and darkens London in the rain as the cortege approaches Buckingham Palace … Repeatedly through the event is this stillness, to hear the birds sing.

In Belfast Cathedral the priests came forward praying one by one to the departed Queen and to her son:

“Deep peace to you 
Deep peace of the running wave to you 
Deep peace of the flowing air to you 
Deep peace of the quiet earth to you 
Deep peace of the shining stars to you 
Deep peace of the Son/Sun of peace 
and the blessing of the Trinity be upon you, Amen.”

Her Majesty’s passing at 96 allowed her son to ripen on the tree in his vigour as Prince of Wales with all his passionate projects. His working life now changes, but he was long in training. He as Sovereign is an inspiration to me; bow to my Liege. When on duty His Majesty is groomed and genial but at home his comfy light suits rumple. Imagine having to wear one on a hot summer day.

In my own way, I join the reverent queue to pass and see the coffin and hear the bell and the muted drum: with my 7B pencil as witness and worshipper I pray for Her Majesty’s safe passage through the astral realms to God; I watch from home her son’s work yesterday in Northern Ireland, he builds on the pioneering grace of her visits there, and her historic handshake. The Sovereign role stepped through the barricades.

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AS ABOVE SO BELOW

The funeral procession! The people pray and gather along the trails and in the cities to weep and cheer.  Accompanied by her daughter Anne the Princess Royal, close as they were in life, the Queen is borne slowly from Scotland through Britain’s roads and airways to her resting place – to earth the astral design.   After she landed at Northolt in dripping rain at nightfall, the helicopter camera peered down through West London’s dark wet leaves to follow her illumined hearse – a bright fish swimming its private way home.

Kabbalistically the pattern on the ground follows precisely in time (as the days go by) her “holy place of meeting” with Companions of the Light. With those Beings on the inner plane I glimpse swords and knights and royal orders – the nourishment in England’s heart. Protocol is an ancient sacred dance. The King’s job and character may “tango” it a little here and there. A delight to see, is the walkabouts when he and his Queen Consort get out of the car. Straight away they meet the crowd, the King opens his arms forward to receive and embrace the empathy and warm condolence; they answer and chatter and smile, firmly they both grasp the forests of out-thrust joyous hands – touching each and every one – and are beamed by a bristle of small phone screens to capture their image for home.

Paradoxically in a new age of screens and tense security the Sovereign is no longer in a glass case. Touch him!  A security woman stoutly pushed away an iPad – it was a little too large. What a curious interface we have.

Simultaneously the King is in mourning for his Mama – he dreaded the deaths of both his parents. The aftermath of a death is busy at every level. A deeply seasoned sensitive man is in the land’s highest office.

7 charles & camilla belfast cathedral

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17 September                  A TURNING PAGE

When the heart of a nation is touched and quietened, the turbulent streams may knit together again over it, but the Resonance remains. May the family pull together for “our brother Charles”.

Heard in central London today during walkabout (police addressing the phones) – “no selfies please – you can shake hands with His Majesty and wish him well; enjoy the moment, please!”

I also heard the King while addressing the Welsh speak of “the duty to protect the diversity of this country with all my heart as Defender of Faith.” As head of the Anglican church his duty is to defend “the” faith while his ecumenical heart stands for openness in all faiths: for faith itself.

After the children’s vigil last night, the commentator Alastair Bruce spoke of the monarchy:

“to consistently reinvent itself, to be relevant, capable and new … A page is turning in the national story. It is that turned page that provides the opportunity for all these people who are passing through, who wish to make their respects to Elizabeth II, to just get on with their lives, do what they do, have the opinions they enjoy, be furious, be happy, be energetically desiring change, or wanting to achieve different things in their lives. That is what the Monarchy should provide – as the pivot around which people can be themselves and the nation can thrive.”

9 charles & camilla belfast

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19 September                  PROCESSION

… Glued for days to Sky news about the Queen’s pre-funeral progress through the population and the 5 mile queue through a night and day to salute quietly her bier in Westminster Hall; the children’s and grandchildren’s vigils; the King and his son on walkabouts to the astonished queuers.  A little boy broke down in tears after the King shook his hand and wailed “my heart is bursting” – he can hardly bear it.   The commentators say it is unprecedented and unexpected.  Naturally the Queen and her hand-over pierces the nation to the core.  

10 the Queen copy

Sweet breakthrough –  butterfly is camouflaged to the wood grain, the leaf, the flower, the pattern of the Divine – all my life with fishing line as the fish in the pond tossed and played.

I got out my bike and rode to Westminster to immerse in what is going on.  I hoped it wouldn’t be barricaded off and that I might be able to get quite close to the Great Room to offer my respects.  Moving slowly with the friendly flow – like a vast holiday, packing the pavements – I was trickled and nudged across Parliament square and along a street between the Abbey and the Houses of Parliament … and discovered I was just across the road from the entrance to the Hall itself (I had forgotten where it was) and there behind a small-mesh screen was the queue of pilgrims with their backpacks and families.  They had shuffled all night along the Thames from way East of Tower Bridge, igniting international friendships on the way … now reaching their journey’s end … and that profoundly silent and climactic moment. 

This pavement opposite them was not congested. I stood there for half an hour by the Abbey’s tail (East chapel) as if I were in the Hall itself by the bier, I watched and absorbed, I chanted and prayed with Mischa Rutenberg’s Meher Baba songs in my earbuds.

Reflecting on the architecture (I haven’t been around there for many a year) … how interesting  that the Parliamentary ranks and rows of ambitious talk and bitter conflict are intersected by the ancient sacred space of Westminster Hall which holds the Sovereign like a flower.  Peace and stillness descends on each weary pilgrim, a butterfly baptism, the soft kiss of a new order.  Just as the Prime Minister began her new post, the Royal axe chopped through the nation’s busy hurting mind straight to the heart and silenced everything.  

The connection generated a holistic shockwave.  The media express ideas I never believed to hear from their mouths.  The atmosphere among the crowds was not grief but celebration of what draws the nation together in a way no one had fathomed, it gives us all a break.   It was holiday-like, patient, flexible, slow moving, a beautiful clear sunny day with big galleon clouds in the crisp blue sky.  It was multi-culturally British with hundreds of police in tall Dixon of Dock Green helmets. Dozens of cheery Afro Asian crowd-movers did their job with a smile on their faces and helpful advice.  They and the police handed out badges and stickers to children, and guarded the realm.   They must have been so tired!  They, the guardians honoured this unique day.   Tents, chairs, and picnics crammed the street corners.

marbles ris f

I stood there singing to her. When a big equipment convoy jammed the road, I moved on, nudging my bike’s front wheel gently along the pavement. I wanted to see the opposite doorway of the great Room near the river where the pilgrims emerge, and to catch sight of their zig zag approach through the Parliament gardens. I ended up crossing the river to push my bike up its south bank contra the pilgrim flow, and onto Westminster Bridge back to Big Ben.  I tried to figure out the geography of the great Hall which in due course fell into place.   The bright flocks thronged the evening sunshine on the big bold river.   Brilliance … and sharp, deep shadows.  Light and darkness – a unifying moment within conflict; an upheaved oasis amidst uncertainty.   It felt like an earthquake.

Back in Parliament Square again I was stuck for a long time – everyone was – awaiting more convoys of “dignitaries”.   When it cleared the crowd streamed in good order with the lightest official touch.  Where it was really thick the crowd managers linked jovially hand in hand to part the rivers.  Yes it was their day.  

I wanted to see the front of Westminster Abbey and to watch the funeral today with a proper sense of scale and having been there.   The crowd gently thinned out with the flow.  I followed a small labyrinth of streets to the other side – via a good old fashioned pub. It spilled out onto the pavement where I enjoyed my pint of Tribute and crisps.  I looked for a while at the Abbey’s exquisite silvery west face, L’Art gothique in the reign of Henry III; then turned to ride home – twilight – via Hyde Park corner and the Edgware road … through a peaceful maze of traffic barriers.   Victoria Street was open for walkers and bikes.  

wild violet

When a person dies an energy is released; in my observation it is – (as well as the physical body liberating the subtle unlimited one) – that which bonded the friends of her soul.  That entity stands forth stronger than the embodiment.   What within the soul’s lifetime composition drew friends, lovers, conflicts, and fields of effort together?   I watched this again and again at funerals where I saw grief but simultaneously an uplift, a feasting, a meeting of companions in the Light, a birth. 

The Queen united a common wealth.   Unity’s hand is upon the land as it encounters a rough sea of steep challenges, one after the other.   She built and carved her succession in the family like a cathedral – to stand as sanctuary and to last. 

Within each of us who witnessed, it awakes unique and private ways – precisely positioned within “Interesting Times”.

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Ash keys – Druidic symbol of rebirth, transformation, and initiation – roots deep in the ground (Photo by Marisa)

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20 September                  ROLLED LIKE A MARBLE TO REST

Her arrival, committal and sinking through the floor at Windsor was especially moving:  the removal of her ball and sceptre and Crown jewels to the neutral altar;  the Lord Chamberlain breaking the wand of office, the deep solemnity of archetypes with a lot of devoted and very tired people – her entire household and staff.

old glass marbles

All over the land there is an awakening, a reminder that there is more to us than the daily bad news!    

It distracted the nation from the grim economy spike which makes millions fear the winter –  battered with Brexit, corona virus and now the financial crisis tripped off with the war in Europe.   The new King is beleaguered and lost his temper in public over a leaky fountain pen.  Throughout the funeral the raw grief for his mother was exposed in his sensitive weathered face.   I drew a picture (below) of him and Camilla relaxing in Maori or Inuit animal hides;  I saw what he loves, her eyes are his home; and I drew the Queen shaking hands with an elephant (Prince Philip looking on, with a quip); and then I drew her looking girlish and radiant – that one developed easily without mistakes.

The nadir point in the King’s life may have been his first marriage: discovering the sweet suitable girl he was hitched to would never be the Queen he needed to help him with his sovereign duty; that nothing he did or tried to help her with could heal or prevent her despair. He with his inborn responsibility to the Realm was trapped, alienated and desperately unhappy.   In those days the family was an unrelenting fortress and the media a pack of hyenas.   It took the divorces and scandals of three of the four children for the fortress to soften into a wounded Windsor castle and for the Queen to emerge as a “public saint” with a strong succession – Charles and after him his son William.   That family suffered everything the century inflicted upon the people, larger than life in the public eye.  The heart of the land beats with their Mystery Play.  

12 King Charles & Queen Camilla copy

For the first time I heard Camilla’s voice, her duchess-y warmth, her maturity, her style with the King as his Queen consort.   When I draw her I see Charles’s harbour in her eyes.   Very carefully Queen Elizabeth fixed everything in place before she crossed over.   By attrition she over-rode the Church convention deep in herself and in constitutional law.  Perhaps she remembered how Philip was her mainstay … the progressive relaxation in attitude may have been Philip’s no-nonsense suggestion.   She had him by her side, a firm and beloved mate.  Her son Charles has his own – a woman who also loves horses; with whom his mother could laugh and poke fun.   Imagine the pair of women together in headscarves and gumboots, hamming up the “royal”.

The funeral was a huge performance for the populace:  the problems continue.   It awakened a ray of grace and a double rainbow; we need to resolve our own issues from home, not tug the Royal hand to do it for us.   Their example in the Mystery Play is yet a reminder, an inspiration … to try to manage ourselves better; particularly as we enter a period of relative austerity.   This austerity I believe, may peel off some of the consumerist luxuries we have become dependent on.  What are they compared to the post war austerity?  Can the mass-market “more-and-more” which mushroomed since the 1980s be sustained?  Isn’t it the basis for a collapsing economy?  Any presiding government-elect must be its scapegoat.

There is always the balancing out.  So carry the great change.   It may return us towards a lost gold standard – a water table – an authentic economy, built on value.  There is a longing for this.

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Tall oak near Plumstead – photo by Marisa

The Queen’s heritage is her eldest son our King as a visible leader of the land.  His nature (despite loyalty to protocol) is to come out and say what he thinks.  People remark, “It will never be the same again”.   May it continue to grow and evolve in this flexible way?  The family itself, downsizing, pruned, and coming out into the open  inspires respect and compassion.

The public eye is a fickle sheep.  Not so long ago the Queen was still “a buttoned up Ma’am” – since then by careful spin she blossomed into “a radiant Granny” who united the world.   My fidelity to her and her family and their job is steadfast since the age of six.   Fidelity is unspectacular and unwavering.   It watches the public wave-machine scoop and push back and forth.  

dew wisteria jewels

I am tugged into my core, leaving behind the dross which pretended to matter.  The core effulges and delivers like a white rose … feeling myself suddenly within the veins of a man’s Mystery.   We see in life’s shrines a Mystery Play like the dramatised poems of the early Christians.   In the street close to the nation’s heart I was gently rolled like a marble to rest, to watch the queue enter the oldest and longest room, after a longest night shuffling along the riverbank. Each soul brought to the Queen an open secret – his or her private Treasure.  A little girl danced and jumped and flung her arms up because they were nearly there!  They could touch the building’s stone.

If the Queen’s body in her bier was the nation’s heart, the queue to enter was a vein of blue blood seeking oxygen and the people flowing out from a pulse of peace were a life-filled artery.  Here I am, with rainbow flowers in my heart … like those flung over the hearse on its journey to Windsor; it arrived in the Queen’s home scattered with flowers on roof and bonnet like Botticelli’s “Flora”.   As a seed, a plant, a sacred tree, it was lowered through sacred space into the Vault; into the ground.

Winter, after BotticelliWinter – after Botticelli

I was reminded often yesterday of the Rosicrucean Vault (in my alchemy studies), a sacred Tomb (in the divine proportion 5:8) where lies the body of “RC” (the founder of Rose Cross) since medieval times: a sprout.   I see it now within earth; and the Key to open it in the heart.   It is an old fashioned copper key:  it is traditionally a White Rose.  The Queen was lowered into it, without the Crown jewels … which gleam in their lustre on the altar, waiting to anoint her son.

white rosebud

For every family this funeral awakes a memory of a departed loved one. When my father died in 2016 I happened to be recreating and constructing the Rosicrucean Vault within my inner life;  it was provided by timely grace, for into it we lowered him in that bird-singing Devon yard: a grave without lining, a basket coffin, a soul without clothes – and we had the bagpipes for him as well!   followed by a sandwich feast in the village hall – I hear his merry laughter.   His release was a joyous winter gale in the sky and in the ground the snowdrops of early spring.   

My mother wishes he’d been there to enjoy the party and the precision how we cared and planted him in the ground;  but he was, in every detail.

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Finally –  a royal handshake from the elephant.

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CONTINUE WITH THIS LINK TO PART TWO – THE QUEEN, KING AND COMMONWEALTH

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ox eye daisy

My adventure invites fellow travellers. I am a poet, an artist and a seer. I welcome conversation among the PHILO SOFIA, the lovers of wisdom. See also Aquariel and Gene Keys Diary.

All art and creative writing in this blog is copyright © Janeadamsart 2012-2022. May not be used for commercial purposes. May be used and shared for non-commercial means with credit to Jane Adams and a link to the web address https://janeadamsart.wordpress.com/

Under the Grass and Topsoil

 

“The Prime Emanation … is the Revolution inside our being. It’s a process that’s going on in many of us now, making us more and more uncomfortable, and that’s a good thing. It’s a mystical cleansing of the emotional system and it’s why many people who begin working with the Gene Keys quickly lose a lot of weight and others fill out to just the right amount. We’re coming into balance, because we’re throwing out old genetic patterns. It’s about pruning back our desire nature because the solar plexus centre needs a new kind of environment. It needs a cleaner, more open environment, less cluttered with old frequencies. 

“One day we’ll return to the source. It won’t happen because of anything we do but because our particular story has found its way home. All we can do is follow the Emanation of our Love. We think we’re travelling into the future, but we’re really travelling back to the beginning…”

Richard Rudd Excerpt from the 64 Ways

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“Mend what was broken. Rekindle the Children’s Fire … We call this work ‘village building’ or ‘culture repair’.”  I had an email from Mac Macartney responding to my request several weeks ago, how can I find my pre-Roman “Angols”?  In his book The Children’s Fire he made it sound rather straightforward but now he says it is a matter of dowsing and resonance as there are no records.  The Roman conquest destroyed our indigenous Druid infrastructure.  How these tales echo through history!

In Mac’s book and journey, a map he drew of Wales shows evocative names of Celtic tribes and elders: Gangani, Silures, Demetae, Cornovii, Ordovices, Deceangle … which spread across the land.  I shall look at these names reflectively from time to time.

I feel profoundly rooted English, uninclined to move from HERE.  I hold the ground like an oak or elm; an Angle Sea – the Mona.  I loved what Tolkien wrote about the elm groves in his Lost Tales.  Tolkien was one of the Elder Ones, reproducing the mythos.  I have this inbuilt interconnectivity; the neural and nitrous fibres throughout the ground which I return to.  The body of Light Emanates. It is not a mere sponge.

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So in this moment in the earth I have a staff which illumines and is positive.  Let it lead this direction when and where it wants.  Let it shine.  It is a seer.  It sees through all conditions and fractures to the embracing Wholeness of the emanation.  I’m reminded of my painting of the light – the heart – within the earth, and a hammer, a geologist’s hammer which gently taps the geode.

I grew up in Kent, Scottish Highlands, Yorkshire Moors, south Cornwall, Surrey north downs and Quantock Somerset – all before I reached my teens; for we moved house a half-dozen times.  That is a landscape map provided!  I have walked it so much and flowered, that there is not much need to “know” the names.  The essence and loyalty and continuity are here.   It is like looking at the Geological Wall Map of Great Britain in my father’s room – the extrusions and worms of colour told us where and on what rocks we live – north Yorkshire was pale yellow.  And I became a painter for a time.

The gift awoke by the sea in Cornwall Caerhays age six, and that marks probably my descent from the Western peoples, touching ground.  It encompasses my long-ago walks in mid-Wales (tent by the Severn river), Snowdonia and the Pembrokeshire coast … and recently, along the Hertfordshire Way and Chilterns north of London.  The Hermit’s staff is a dowsing rod and also a blind person’s white stick! – for in this lifetime in those places I did not know consciously what I touch.  But they made me an artist.

I live all my adult life in the city which the Romans developed and called “Londinium”. Here I hear through the urban density, the heart of the country and its winter birdsongs and noble river.  Here staying at home for the last 50 years I find space for the soul to wander and flourish; and my present tribe.

My room is an untidy sanctuary of peace with a few trees outside, a busy railway to the north and a street to the south.  This morning as usual when writing, I feel the root of light sink deep, the silken stillness.  At Manor Farm in Somerset we had a giant elm down by the pond whose roots, I was told, spread right across the field under the grass and topsoil.  And so I know the tree’s root-system mirrors its bole; and I feel the Spirit moving into flesh through the stellar fibres of my body’s capillaries;  I am nothing other than this network of the fields and streams and woods;  I am this un-tapped and immense human conscious potential which – after millenia – we awaken into, again … and again.  My Druid knowledge lives today in the core wisdom of many esoteric languages which thrive.  It has a singular pulse in the veins:  I love.  I love.

The old alchemists said simply – don’t drop the wisdom (dew) on the ground.  Most persons cannot understand it, they break it up into cities and beliefs.  Carry it in the vessel which perennially and quietly mends itself with the Sun.  The wisdom is osmosis and photosynthesis: the Sun, the rain and the Earth.  No matter how apparently concealed, the same magnetic shines in each one of us.  It is in process of opening its dimension through our temporal fantasy of destruction.  As the living creature awakes and yawns it cracks the scales.

How tiny is my surface understanding within the solar system and each of its planetary gems.

The silence when the wisdom river is coming and when the oak is flowing is deep.  The magic we know is so immense that the essence transcends and permeates the particles which are knowledge.

There is no need to “know”.  There is every way to “be” and to recognise the flavour.  Taste it.  The animals, the trees, insects, birds and flowers taste it, un-obstructedly whenever they pause.  Wisdom dissolves manufactured outlines and provinces, and for humans this is hard.  Take a step back from the unfolding history and see the process.  The wisdom is invincible and the DNA awakens into this mutation now: frail dragonfly nymph on watery stem – its thorax burst open with the sun’s warmth into wings.

Illustration from Richard Rudd’s book of poems and prayers – ‘The Spring of Dreams’

To remember this is to collect together with Mother Isis the scattered limbs of Osiris and breathe on them with love.  This is perennial in our condition.

Quantock dancers

Seven sisters, High Point, Quantock hills

 

So the Quantock hills at present are my “walking country” where my mother still lives.  There is a long Somerset settlement in my life.  My home was there from age 9 until 20. Later, my father moved to North Devon and discovered in the next parish his Yule ancestors, with whom he had himself buried.  In Somerset and North Devon were extensive explorations, our home and our adventurous family holidays at Hartland.

These places where the heart is placed and soaks up the land are pointers towards my ancient tribal locations and relationships.  The seed is blown from tree by the wind or carried by bees to fertile ground by the laws and movement of Nature.  My father was an organic farm-manager, bee keeper and musician.  When I grew up my first regular job as a portrait artist took me all over England and as far as Gordonstoun in Scotland.  In each place I worked, there was first the need to go for an orienting walk and understand the landscape, roads and contour.  My early work is scattered around the country’s living-rooms like seed – many hundreds of portraits of children.  This was Providential.

This brings me to the inner meaning of our children’s fire.  Although it is threatened, there are in many pockets of the land, oases where the healthy seed is cultivated. In due course the whole seed will overcome the adulterated and even take into itself what is good in the latter.  Why else is there this incredible enriching mix and mulch and ferment in the human gene pool – through the overwhelming agony of frontiers, fear, bordering and displacement – why else the cross-fertilisation and upheaval of racial roots?  An innovative and gentle power of the seer is being born through these generations.  The environmental threat catalyses a revolutionary Symbiotic caring.  The animal and plant kingdoms in Gaia no longer agree to be our mere playground or unconscious prey.  The new Consciousness – already sprouting through the ground – is to unify and to nurture.

My mother’s garden in the early spring

The children’s fire?  It is this transformative glow of the quickening, the seed.  On the Underground in London I watched yesterday a father with his sons – he had an interesting lined child’s face, an elder Saxon with soft tired eyes, an artist perhaps with the sky; and one of his boys sat with him and stroked the back of Dad’s neck and untidy hair.  Love and care.

In the seed is the fire which is Life.  In the Upanishadic wood is the latent fire; in the grass the cow and in the milk the cream.  In the hen, the egg is our solar system.

Parvati waters trees. This image is copyright The Sacred India Tarot deck published by Yogi Impressions in 2011

The healing way is for those of us who have access and liberty, to attend to the quantum particle on behalf of the majority.  The consciousness is what there is.  Each root in the ground illumines and connects with all the others.  The quantum, homeopathic in dilution, is beyond prediction’s enclosures.

The needle’s point of Sufi thread pierces vertically the dense horizontal matrix: the tapestry.  What do I sew?

Light the fire for our children.  Be warm of heart.  Make this picture daily with the thread through the tapestry.  The only disease – the root of all diseases – is any form of our excess.  Balance is inevitable.

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My adventure invites fellow travellers. I am a poet, an artist and a seer. I welcome conversation among the PHILO SOFIA, the lovers of wisdom. See also Aquariel and Gene Keys Diary.

All art and creative writing in this blog is copyright © Janeadamsart 2012-2020. May not be used for commercial purposes. May be used and shared for non-commercial means with credit to Jane Adams and a link to the web address https://janeadamsart.wordpress.com/

The Coin of the Sages

 

The Coin of the sages is an alchemist’s gift from heaven. It turns up in any crucible of life and relationships.  We polish our old copper coins (Venus) till they shine as the golden Sun.  

In an old alchemy journal I found this entry …  delicately it interfaces the timeless diary of today.  “The Glory of the World” and “The Golden Tripod” which are quoted, are 17th century writings in the Hermetic Museum library.  The Tarot keys discussed are in the Builders of the Adytum deck.

BOTA Tarot Tableau: three septenaries, seven columns: the keyboard. This deck is published by the Builders of the Adytum in black and white: each student colours and thereby empowers his or her own deck, following the Builders’ strict guidelines. The colours of the Keys have audial resonance also.

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8 March 2003            COIN

The ripe Priestess  sometimes makes Hermit’s Mountain seem remote … winnowing out error and shattering the Tower.   These three Keys form a vertical column in the BOTA Tarot Tableau. In fact they represent the bud, the bloom and the bursting of the seedcase as from chrysalis … in nature and in any creative process.

Beginning my Sapphire Tree painting for a book cover:  I started as blind egoists do on the dirty surface.   This should grow organically from centre as a mandala — not in one rush like a face.   Sapphire means liquid pale blue fire.   The 72 leaves should be a delicate tracery of  seminal wave connections in the white fire around and between the Menorah branches. Working from the centre outwards, let it grow.   Here is a dirty pool.   Cleanse to begin with, its centre.

Paul Foster Case invites me again to dip into the alchemical forests of “GLORY OF THE WORLD”.   When reading these, fountain gently with them up and down, restoring the synchrony of heart-body which is today collapsed and tired.

On page 61 it discusses the COIN OF THE SAGES.   I can see this white Coin from the sky, so bright that I cannot see yet what is impressed upon it.

Our Stone has its head in the earth and its root in the air.   I read alchemical texts not with my Hod but with the breath, with my inside.   Then they glow.   It says the Spirit delights in nothing so much as its own Soul and its own body.  Delight is another word for the Higher Will; be comforted.   It is minted pure and bright and white within the dark.   Begin from the centre
but let it descend first from the white sun.   The work of

the Priestess lets it descend.   10am, School of the Soul.

Priestess, King of Swords and the Fool, 1987

The Priestess, Rosy Cross and Fool descending – 2003

September 2018 – The evolution of those two drawings (1987 and 2003) is my life today –  the heart beats within the tapestry.  A house to paint in, which I invoked  15 years ago and forgot about, recently materialised;  last week I beeswaxed the floor and began work there with a new Tree of Life – see end of this post.  I have not painted for years!

new art-room

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2003 continued:

Hurly Burly welcomed her Mum so kindly last night at the Garrick wine-bar – Mum was feeling lousy because she’s forgotten how to paint.   HB too has been re-discovering how to paint — the light came in through her window.   I had a nice time there where she works,  but ate and drank too much, which paralyses my gut for the night.   But to read the “Golden Tripod” now, sprays white light into the Garrick; and I was introduced to a curly Paddy who has 400 (?) paintings he said he bought and collected in his house — the secret of a good painting is it invites you to take a walk into it.   Tall tales do not matter in conversation.   On my right, as I tackled warm goat’s cheese and fennel swordfish and a big glass of wine, sat Marta’s sister with her hyperactive three-year-old son Adam enjoying himself all over the counter with his tiny neat brown hands.

Enough:   now focus on Basil Valentine.

It is impossible for Yesod to sperm the Stone.  Yesod cannot remember how.  The sperming comes down through antakharana – the pipeline – and is observed and — as perception of it refines and begins to dispel the obscuring cloud — obeyed with joy: as in p.45 in the Golden Tripod.   Note the Source of the Priestess’s stream and her receiving element.   Male and female seed are the One thing, the Child within.   Wherever there is joy in creation is this natural intercourse of the Air, the secret fire, the dew.   The Earth is only the invisible thing that attracts union.  Out of no thing blossoms unicity.

Seek not our Stone in substances which cannot stand the test of fire.   Seek it in the incombustible oil that is the fire itself that ever renews and fattens the land.   It grows and gently shines and increases like a plant.   It increases in that it prevails.   Through all darkness, the stem glows and shines.

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September 2018

Here is the beginning of my new Tree painting – just sketching out Malkuth, Yesod, Hod, Netzach in the Lower Face, based on  carvings of the Companions around Chartres cathedral;  Archangel Rafael in Hod has no face yet.  I hope for it to combine thematically the medieval flowering of Islamic alchemists and Christian sages, the Star, Cross and Crescent, the child and parenting, the cosmic serpent of our DNA, nature and the fountain of life … as the journey begins, let it lead me where it will.

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Life has been too full-on for me to keep up with my blog posting.  But a month or two ago, I posted in my other blog Aquariel about a pair of Tarot oracles in June and July.   Here are the three links:

For Gaia
janeaquariel.wordpress.com/2018/07/20/summer-oracle-1-for-gaia/

Through thunder of the dew fall silent
janeaquariel.wordpress.com/2018/07/21/summer-oracle-2-through-thunder-or-the-dew-fall-silent/

The dying and the guardians
janeaquariel.wordpress.com/2018/08/01/summer-oracle-3-the-dying-and-the-guardians/

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My adventure invites fellow travellers. I am a poet, an artist and a seer. I welcome conversation among the PHILO SOFIA, the lovers of wisdom. See also Aquariel

All art and creative writing in this blog is copyright © Janeadamsart 2012-2018. May not be used for commercial purposes. May be used and shared for non-commercial means with credit to Jane Adams and a link to the web address https://janeadamsart.wordpress.com/

 

As we become still and look

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My tarot reading last week – see Aquariel

Thrice Great Hermes said, “For never … can an embodied soul that has once leaped aloft, so as to get a hold upon the truly Good and True, slip back into the contrary.”

This is a profound Law.  Note he said ‘embodied’.  He didn’t say ‘without the body’ (as in trance or nirvana).   He said in effect, Leap with hands and feet into the heart of God.  That is an osmotic shift in the atom of human consciousness as a whole.  The membrane, the veil is semi-permeable.  There is no way the sap of the Tree of Life can run back downward.  The ascension pulls it through the cells;  a vacuum which it must follow and flow into.  Once you are through, you know that everyone comes through it sooner or later.   There are certain old clothes which are impossible to wear.   Love is no longer a thing of the movies.

 

Considering Chopin whom I am starting to sketch … his music was and is pure female opera song:  his unique ability to let them out of his bag;  his passion for singers, their lovely companionship and their voice which did such things.  Perhaps he might admire but could not love a woman who did not sing?  George Sand was probably not a singer (or perhaps she was?) – she called a spade a spade; her yang complemented his yin;  they may have had deep Karmic business in their attraction field.  One of the two sketches I did last night, while watching this video, is from hers of him.  From their liaison in Majorca came the tender Preludes which I used to play and to love dearly.  I have an old recording of Arrau playing them.  In one of them he throws a fiery tantrum, and my father used to mimic in falsetto George’s shock:  “Frederick!”

The journey up the Tree of Life through osmotic membranes is continuous, and there are obstacles – veils or resistances, a sort of grey chaos like my head-cold just now, through which the flowers spike their way.  These things come in waves.  When an inner contact is brewing, it brings some obscuring resistance to clear or blast off.  Through the snot and tissues, the irrepressible florets … make a baby sneeze.   The rising sap is a fountain of little fishes.  Not one of them can turn round and go back to the sack.   When the One which is ‘I’ reaches egg … PRESTO bellissima!   Nothing is EVER the same again.

Generally speaking, the course of life is a series of these small hiccups.  Perhaps jnana  (wisdom) is a state where they all join up and nothing is the same again EVER, and it is always like this:  the living and dying and letting go.   Robert Adams in Arizona looked like this.   He had no teeth when he said, “it has no end.  No end.”

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I imagine the extra terrestrial intelligences which interweave with ours, have that form of expansion which to us is liberation.  I imagine they move with our magidim and guardian angels easily, for the wavelength doesn’t limit the concepts.   The Presence of the aumakua varies only by local interest from galaxy to galaxy.   Holding my coloured lamp which invites them and rebuffs tricksters, I imagine them freely filling the spatial interstices in the room.   I may not have the gift of seeing their forms, but perhaps I can converse receptively with their mystery.

Fred Hoyle wrote a novel (1950s) of a close approach to Earth, of this kind.  When it connected to the intellectual brain only, it drove it insane.  The acceleration which is pure Consciousness can however be contained in the breathing heart body:  the heart or solar plexus mind (awakening silence which loves).

In this light, what is the accelerative frequency which plagues the human engineering at the present time, and where can it be accommodated?   Food for thought!

It drives many of us insane, particularly those whose incentive is to destroy their neighbours and environment.  These processes are cosmic eyeblinks; we endure their unfolding for decades and sometimes centuries.  Into their unfolding the threads of millennia are drawn.   Nothing of what is seen today can be interpreted unless we rise above it and get some glimpse of the landscape from elevation.   The landscape looks like the Andean Nazca lines, criss-crossing the ridges and plateaux.   To read this map would require a four-dimensional understanding of acupunctural meridians or the nadis of yoga, applied to the leylines of earth and through history’s points of intersection.   An acceptance that the map is of that dimension assists the contact of Higher Mind with a tiny bee in the earth hive.   Most accounts of Self knowledge say we should fall open into knowing nothing.   Then that by which I am known, can get to work.

Meister Eckhart said, “God does his deepest work in the soul when she is at rest.”  

The alchemical maxim is: Art begins where nature ceases to act.  The Hermetic soul begins where human intellect lets go.   I could study books about Nazca lines and Nadis, but I don’t wish to fill up my thought again with issues whose complexity generates karma by psychological default.  I now see clearly the last twenty years since I suddenly downloaded a lot of knowledge and started to see.   The light ‘grounded’ through some intense liaisons.   It had to materialise.

In the olden days, the rishis sat under trees and went about their lives and adored the sunrise and their cows:  their loving heart saw and knew the All, because it is in our DNA.  This faculty has not changed, deep down.   The sensitive veins to it are reopened, by keeping quiet.   This is what the alchemists call, “the miners of the mountains”.   It is all within us when we become still and look.

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Aruna is red fire,
Achala is standing still,
becoming a sacred hill, Arunachala, kind to kine
whose milk is the morning stream from Vedic stars.

The cow in Vedic hymn is sacred, pure light 
milked in pail by Upanishadic seers,
and a drove of cattle clouds at dawn, are gods 
that glow around her rising star.

In countless tales
the un-created cracked the sky;
but my silence of no angel’s feathers 
is drawn to see or sense
small feathers fall in place,
whether or not resolving.

1999, Poems of Eclipse

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It is the human predilection on the surface to keep busy.  That is OK.  Our bodies and our skills need location and exercise. Ramana Maharishi used to say that for those born in the west, to have to live the busy western mindset was their Sadhana or spiritual practice.  For those born in the east, their Sadhana was through ashram discipline along Yogic paths.  I sense the interplay and often collision of the western and eastern paths, permeated now by communication technology.  Blavatsky brought them together in the 19th century;  J Krishnamurti lived the way the eastern and western ways ‘clap hands’.

Yet further east I hear the koan:  sound of one hand clapping.  Koans are designed for the mind’s habit to fall apart; and the existential koan is Love.

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A Walk with Easter Bluebells

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Happy Easter!  On a long walk in Hertfordshire with camera – which cannot capture that deep purple fiery glitter coming through the ground, so let’s just imagine it.

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World turns upside down: sky through the ground

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Sky, earth, water

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living creature

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living body

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worlds meet: as above so below

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tuning fork

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like a bow

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relationship, dancers

tingly tangle!

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landscape every which way

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Friend’s astrology on the Tree of Life

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My adventure invites fellow travellers. I am a poet, an artist and a seer. I welcome conversation among the PHILO SOFIA, the lovers of wisdom.  See also Aquariel

All art and creative writing in this blog is copyright © Janeadamsart 2012-2017. May not be used for commercial purposes. May be used and shared for non-commercial means with credit to Jane Adams and a link to the web address https://janeadamsart.wordpress.com/

Resurrect the Star

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Tarot Keys Tower, Star and Moon, representing the paths on the Tree which converge on Netzach

Tarot Keys Tower, Star and Moon, representing the paths on the Tree which converge on Netzach

These three Tarots tell me a story:  the cracking of the seedcase, the watering of the shoot, the evolutionary journey to ripen.  When the Tower falls, it reveals its inversion, a well.

I was thinking along the archetypal lines of 2016, 2017 … and today brought a link to a colour meditation on the same theme, which feels timely:
http://colourconscious.com/aura-soma/2017-a-year-for-the-star/   … “By listening to our star and living our truth we take responsibility for the only part that is truly in our hands …” (Dominic Yeoman)

The ‘Philosophus’ chapter in Paul Foster Case’s The True and Invisible Rosicrucian Order offers 6 keys for lovers of wisdom to contemplate further: Death, Star, Chariot … Temperance, World, Sun children.

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tarot philosophes 7.1.17

Sextet arrangement: tarot philosophus 7.1.17

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Arranged here in a six pointed star – the Seal of Solomon – is a visual analogy  that natural man is the seed-case of the spiritual man.  I’m a dull stick these days.  “Philosophus” means cultivating clarity, and the word is derived from Philo Sofia – lover of wisdom … “who might be compared to a man who has learned to read the architect’s plans. The house is yet to build.”

What is clarity?   Clarity is a process of alignment, perhaps a desire to contribute to a positive humanity, a collective Lighthouse.

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Lighthouse by Simon, circa 1965

Lighthouse by my brother Simon, circa 1965

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This morning  I seemed to be mouldering in a puddle – recovering from seasonal flu.  Then I thought of the Lighthouse:  a reflective focus.   Its shaft, its beam, penetrates the ocean depth and crosses the sea.  If I focus on that and give it time, my thought moves from fog into ‘precision tools’, into the quickening of community.   As I open into interior silence, I wait:  have faith: give it space.   The lenses above and below, converge.

click on image to view

 

The lighthouse shaft underwater, releases a flow of strength. Pictures are resurrected, taking on vibrance and meaning.   “May God be resurrected and his foes perish …  (Psalms).  As wax melts before the flame, as smoke is driven by the wind …”

bota-key-14-temperance

 

RESURRECT … and my dark sloth slithers off the branch.  There is a golden sound now in the Archangel pouring quintessential water and fire onto muddy Leo and Scorpio creatures … beneath the shadow of his iridescent wings and rainbow …  dipping his toe in the bottomless brook:  “Guidance is not a mere article of faith.  It is a matter of daily personal experience.”

 

 

 

bota-key-19-sun

When it connects, it feels like scales dropping off as the Sun dawns.  There is a beautiful enigma with the androgyne who dances within the laurel of the World, and with the Children in their field:  they sparkle through the dew.   The smiling sunflowers all (except one – ) turn their faces to the children – the Seed of the Sun.  One sunflower-head watches the Sun, for form’s sake.  The childrens’ whole sexuality is in bud.  My fields are irrigated with the golden flow of their joy.  The world is darkened, but so is the closed interior of the unbroken seed.   The seed breaks into halves and into children.

 

 

In a nutshell, duties to life and community are perceived in a flash, which take time, labour and obscurity to realise.

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The dawn comes.  I have to approach it again and again and again.  To repeat by turning back the page to see what I wrote before – or what anyone else wrote – is not sufficient.  The key is turned afresh, to enlighten.  I have no illusions the enlightenment will last but it doesn’t matter:  it will come again. The Oracle never clones itself.

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child-and-grandmother-2

Child and Grandmother, 2016

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The other 3 Keys (in the sextet above, in this post) are Death, the Star and the Chariot.   Death scythes the fertile ground.  The Star waters it.  The Chariot stands like a hyacinth or … a lighthouse with its keeper inside.

Go into the lamp room with its lenses and reflectors.  It is simple.  Light a candle, light my fire and let it travel across the sea.   Light it with a match or knock a spark from two flints.   The spark is within the stone (I wrote snow), like the flame within the wood, the cream within milk, the Upanishad.   The spark is Netzach on the Tree, the mating game … only connect.

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Netzach, Hod, Temperance on the Tree

Netzach, Hod, Temperance on the Tree

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In the hells on earth, there are gleams here and there, which give an individual  some strength to carry his child or to care for another;  persons leave their homes and go out into the thick of it.  The manna is directed into the core of Hope in the human seed.

What is the Star of Hope?   Hope is not an abstract.  Hope is the capacity to transfigure a dark situation into a light one.   Hope illumines the dark and turgid, and dispels hatred and fear.   One moment I am dead.  The next moment I am alive and kicking.   This is Hope.

This is what is meant by the Star …  the star the Magi followed.  Hope is an irrigation, converting desert into orchard and oasis.  It can begin nowhere else but here.

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Elisa & Mary in Iona - 2016

Elisa & Mary in Iona – 2016

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2-swan-camel

My adventure invites fellow travellers. I am a poet, an artist and a seer. I welcome conversation among the PHILO SOFIA, the lovers of wisdom.

All art and creative writing in this blog is copyright © Janeadamsart 2012-2017. May not be used for commercial purposes. May be used and shared for non-commercial means with credit to Jane Adams and a link to the web address https://janeadamsart.wordpress.com/

 

The Beech Forest

RWM32 Tree conference 86.JPG

Trees in conference, Alet 1986

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When the brook
begins to flow,
a barque of impassioned words
appears.

At first, there is no bark,
there is the naked
pipe of a silver soaring tree
beyond my speech.

The standing flows
and flutes
the tap root of my soul
upturned.

from Poems of Eclipse

1-body-tree-tao

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My adventure invites fellow travellers. I am a poet, an artist and a seer. I welcome conversation among the PHILO SOFIA, the lovers of wisdom.

This blog is a vehicle to promote also my published work – The Sacred India Tarot (with Rohit Arya, Yogi Impressions Books) and The Dreamer in the Dream – a collection of short stories (0 Books). Watch this space.

aquariel link

All art and creative writing in this blog is copyright © Janeadamsart 2012-2014. May not be used for commercial purposes. May be used and shared for non-commercial means with credit to Jane Adams and a link to the web address https://janeadamsart.wordpress.com/

The Mellowing

Woodland 1986

Woodland 1986

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Walking in the beech woods near Great Missenden, I was thinking about being the childhood, and I wrote this down:

jane & quince at ventonwyn copy

Elder age is not only four
hop skip jump,
but the Mellow
just as good.

No repeat
but savour
through and through
the NOW

my elder age’s
same unlettered quality
to find itself
not a drag!

What a gem. It came when I bent down to see what it is like to be just child-high off the ground. And then stood tall again. It isn’t about recapturing that odd, rhapsodic little girl physically and interiorly. The whole organism is by now as different as a fruit tree from the sapling. The organs and pulses and hormones and appearance are changed. The pressure of life in children and kittens and lambs makes them skip irrepressibly, enchantingly.   (It still skips in me at 67). The pressure of life in we older folk has a slower tempo, the character of a river rather than mountain brook … which carved its way … the same ESSENCE unbrokenly unique.   The way to enter the stream is here now.

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little boy by the sea 1954

little boy by the sea 1954

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Childhood is full of hassle – growing pains and hateful grownups and bad dreams and tedium and fear and need. Elderhood is full of hassle – just the same. It isn’t about what I become, it is being.   Savour the slow distillation at this point: river of leaf mould, sky and rain, river great snake slipping along its curving channel, the revelation turns discreet, subtle and lingering, an old wine.   It has to find its way through anxious mental arteries and conditioned stone walls and erratic absence and getting weary & cross. The marvel and mystery is here for the looking, and I love it so.

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Little girl in a meadow, 1955

Little girl in a meadow, 1955

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The mellowing. The living mystery is in the mellowing.   The child’s ferment is the bouquet in the elder one. You need a trained palate to really taste the wine: to become still where the child goes skip hop.   And then it takes you by the sea!

I’m reminded of Yehudi who played the violin perfectly when he was a little boy. When he grew up he lost it (terrifyingly) and had to learn how to do it: fingering, posture, technique, tone, bowing and behaviour.   He became a great humanitarian and yogi, and a musical ambassador for peace.

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Yehudi Menuhin joyously 1986

Yehudi Menuhin joyously 1986

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This tells me that the creature the child grows up into has a special responsibility and value, because he or she does and is all kinds of things that the eternal inner child could not yet. Life is not just easy, at any stage of the game.

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Red roofs, Cornwall, 1956

Red roofs, Cornwall, 1956

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Elisa & Mary in Iona - 2016

Elisa & Mary in Iona – 2016

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My adventure invites fellow travellers. I am a poet, an artist and a seer. I welcome conversation among the PHILO SOFIA, the lovers of wisdom.

This blog is a vehicle to promote also my published work – The Sacred India Tarot (with Rohit Arya, Yogi Impressions Books) and The Dreamer in the Dream – a collection of short stories (0 Books). Watch this space.

aquariel link

All art and creative writing in this blog is copyright © Janeadamsart 2012-2014. May not be used for commercial purposes. May be used and shared for non-commercial means with credit to Jane Adams and a link to the web address https://janeadamsart.wordpress.com/

Character in Birdsong – by Peter Adams

Among my late father’s writings, I found two essays to post here in his memory, this one on Bird-songs, and another: ‘Mutterings from a Back Desk’ (among first or second violins in the orchestra). His acute ear pleases me. I shall post his ‘Back Desk thoughts‘ later this week, in my other blog, Aquariel.  (now done)

Peter died on 19 February at 93.  I was with him as he went ‘through the opening door’.  What a moment with a parent to share:  in his own words – ‘as into the Now, I bow.’  We planted him in a green churchyard in the North Devon countryside, with his Yule ancestors.  Rest in deep peace.  “Fare forward voyager!” … This which he used to say, is from Eliot’s four quartets.  Not farewell, but fare forward..

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Peter inspects the field 2014

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Character in Birdsong (1952-3)

Often the calls and songs of birds evoke a startlingly clear atmosphere; the long crooning purr of the nightjar brings to mind still summer nights never quite dark.  The middle distant call of a partridge like the creaking of an un-oiled hinge suggests the hayfield in the evening.  Often these sounds can spring the catch of memory.  At all times and especially in lonely moments, bird song can be a part of life, and not just a background to it.

There are many people who take an interest in birds and enjoy watching them, yet really few can enjoy the songs in the same way.  This is strange, for it is so much easier to hear a bird singing than to see it.  The voice of the nightingale may be clearly audible half a mile away, and yet half an hour of search may give no more than a glimpse of the brown body slipping across a freckle of sunlight in a thicket.  For the lazy man there can be few pleasures to surpass lying back in the sun just listening to the birds.  And the ear when trained can give as much pleasure as the eye.

To name is to create interest, and recognition of the different songs and sounds is the first step.  Like most beginnings it is the most difficult, but whenever a little progress has been made, the fresh delight of hearing among the mesh of woodland sounds a known bird-song and of being able to listen to it as an individual will whet the appetite.  Concentrated and accurate listening are the requirements necessary to distinguish between the varying bird sounds until they are known so well that the mind automatically hears, recognises and criticises the songs while the body is intent upon some other task.  This is the aim, to know and enjoy without effort whatever birds are singing at any time.

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wood bird yantra

wood bird yantra

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Certainly the easiest way to learn bird songs is to hear a song and see the bird singing it.  To see is to believe, but it is usually far more difficult than just hearing and often demands more effort.  In many cases it is not essential.  Imaginative reading of word-pictures can enable the keen mind to recognise a bird note never before heard. ‘The Charm of Birds’ by Grey and the writings of W.E.Hudson contain some of the best descriptions of bird sounds in an extensive literature.

Bird-songs differ in four main ways.  To take the simplest first, there is the manner in which the bird sings and its position while singing.  Many birds sing from a perch.  The starling finds the chimney pot useful as a stand for his useful collection of clicks and chuckles, his wheezings and his imitative notes;  a clown’s song.  Mistle-thrushes sing from the top of a tree leaning into the wind, and song-thrushes sit higher and sing longer than blackbirds.  The robin sings from a lower perch and changes it fairly frequently.  Like many of the smaller birds, wrens and dunnocks sing quite spontaneously as they move about.  The lark is easily recognised, his song raining down from that high ecstatic body hung so close to the sky, and the meadow-pippit’s few liquid notes are thrown out as the bird parachutes down to a bush from the climax of its brief upward flight.

Secondly, there is the mood in which the song is cast.  Blackbirds are never young; their song is calm and reflective, born of a controlled emotion, of ‘emotion recalled in tranquillity‘.  The sentences are spaced and meaningful, giving the impression of thought and care, and there is fluency with mastery of the medium.

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Violin for cover - Version 2 copy

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How different is the boyish attitude of the thrush, of constant experimentation and interest. He listens to his short sentences, likes them and repeats them;  but he never does anything with them.  There is no design to his music.  Even so, the thrush of all birds seems to take the keenest delight in his own singing, and is often the last to fall silent at dusk.

Different again is the wild impetuous carolling of the mistle-thrush, a rush of swift sentences with little variety.  Careful listening will reveal little variety in the song of the redbreast, but so masterly is his control, so effortless his phrasing and so sweet his tone that this lack of material is masked. There is great tenderness in this emotional little song.  The willow-warbler sings in a similar mood, a single plaintive falling cadence, one of the purest sounds in all bird music.

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4 Snowy Lullaby

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Few birds are more self-effacing than the dunnock, and his slight musical tinkle is meant not to offend.  How violently compares the ringing mechanical challenge of the wren!  Once the spring is released to set the song in motion, there is no stopping it until all is said.

A rather more subtle difference is the tone-colour or quality of the voice.  Many bird voices have the timbre of the flute;  but each species has its own kind of flute.  The blackbird’s flute is of green wood.  The tone is warm and rounded, has a throaty quality;  almost it might be said that the blackbird never quite clears his throat.  Nor has his voice the carrying power that enables the song-thrush to light up the evening in a higher drier register.  For the thrush is the descant recorder, a more even tone that never achieves the mellowness of the blackbird.  The robin has a silver flute, and how gently he uses it.  So do most of the warblers, but somewhere in their flutes there is a flaw which causes the voice to harshen on occasion.  The hardest metallic voice belongs to the wren – a tempered steel that rings in the ear.

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Trees planted by Peter, near Shebbear

Trees planted by Peter, near Shebbear

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Lastly, the shape of the sentences or what the bird says is often a great help in getting to know a song.  All birds except the larks sing in more or less short sentences.  These sentences may be set and identical, and are easy to learn.  The hearty but uninspired descending expression of the chaffinch ending in a little turn is typical.  So is the yellow bunting’s ‘Little-bit-of-bread-and-NO-cheese’ in a voice suggesting the quivering heat of summer afternoons.  The tremendous vitality of the wren frequently sets in motion his long and pompous phrase with its bouncing rhythm and many trills.  Probably the simplest sentence is uttered by the first spring-migrant to arrive.  In late March the chiff-chaff is heard high in a tree stolidly repeating his single ill-articulated word with the rhythm of a carving-knife being sharpened.  He calls in fact, his name aloud, for all to hear.

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lino cut bird and egg

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All the great singers bring variety into their songs with more or less differing sentences.  Few translations of bird songs into the human language bear much resemblance to the original, but the following fragment of a thrush’s song written about a hundred years ago, is an exception:

“Worse, mocked the thrush. ‘Die! Die!
O, could he do it, could he do it? Nay!
Be quick!  Be quick!  Here, here, here’
(went his lay)

“‘Take heed! take heed!’  Then, ‘Why?
Why? Why? Why? Why?
See-ee now!  See-ee now!’ (he drawled)
‘Back  Back  Back  R-r-r-run away?’

“O thrush be still!
or at thy will
seek some less sad interpreter than I.”

The nightingale also employs repetition on occasion with great effect, but his song is perhaps the most varied of them all, changing not only the phrases but the tone-colour and the strength of the notes.  He is the only bird to employ crescendo, and there are few things more wonderful to hear than his swelling repetition of a single lovely note until the night is filled with it.

To hear one such perfect note as this is worth much, and it is to this end that a knowledge of bird-songs leads.  For in the height of the singing season the birds sing in chorus, and it is only by picking out and listening to an individual that the single strands of beauty can be heard.  The ability to do this can be a great joy, and will open a new world of sensation and interest.

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Written in the early 1950s at The Bows, Glensaugh, Laurencekirk, Scotland
Revised at Breck Farm, Bransdale, Fadmoor, Yorks.

Peter was under-shepherd at the first, and managing a big hill of sheep at the second.

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Peter with Moss and Nell

Peter with Moss and Nell

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My adventure invites fellow travellers. I am a poet, an artist and a seer. I welcome conversation among the PHILO SOFIA, the lovers of wisdom.

This blog is a vehicle to promote also my published work – The Sacred India Tarot (with Rohit Arya, Yogi Impressions Books) and The Dreamer in the Dream – a collection of short stories (0 Books). Watch this space.

aquariel link

All art and creative writing in this blog is copyright © Janeadamsart 2012-2016. May not be used for commercial purposes. May be used and shared for non-commercial means with credit to Jane Adams and a link to the web address https://janeadamsart.wordpress.com/

Arcanum Seven – Shabat Shalom Baruch

 

 

 

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paul mandala 17.11.13. detail

This post waited in my Drafts for some considerable time!  I was kept busy with my book of the Tarot Arcana (from which this writing arose), and with finding out, and with living. Now I recall the place of rest: shabat shalom … and baruch, the blessing.

Our dear old friend Issy Benjamin “left the market place on Sunday evening 25 October, and has gone home. Heaven is home and earth is the marketplace. We are in constant passage between the two (African proverb).”  He was nearly ninety.

The Star, the Cross and the Crescent!  (See the vimeo above).  Develop in the inner and outer life the golden seed – each of the middle eastern prototypes holds my deep affiliation, life-effort and love.  As agonizing as the conflict at present is, so shall it one day flower and unite humankind.

star cross crescent

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Script of altar, bird, torch in the Trinosofia, meaning 'the body of the wise man shall be concealed'

Script of altar, bird, torch in the Trinosofia, meaning ‘the body of the wise man shall be concealed’

Great love embraces the tall white hall of Issy’s shul, where I went for sabat shalom. Hidden behind an angle there was a skylight, and this reminded me of a dream I once had, in which were windows cut through the ceiling to Adonai – in the shapes of the Hebrew letters – through them you may talk to god without intervention or interference or screen of speech.  Why?  Because those apertures from above and below are cut through stone, the shape of the language and its covenant.  Nothing else but the Law, the cosmic Torah, can be spoken or heard through them.  And so it is with all languages through which God spoke – Arabic, Persian, Phoenician, Egyptian, Sanskrit – our origin.

Always go from where you are right now, because access to the sacred architecture is a given;  it is not seen all at once, it grows on you as soon as you surrender your nature to the joy of the gift.

When a soul literally sheds the physical embodiment, he or she is present in any time and space right now, to tune in with.

islamic patterns 1 :Keith Critchlow

Hexagram, from Keith Critchlow’s ‘Islamic Patterns’

When the centre is open, the six directions through my core are simultaneous.  Turning to face them, is something I should remember and not forget during the day. The KABOD, the glory of God has this private stealth, and may be rediscovered at any moment. The expression ‘The chosen people’ may derive from what we choose to meet each other with – the scroll we unroll and open to each other in the eager reading of the Book.  It derives from ‘choosing’ to connect with Issy and with other souls now beyond the box of naming, yet vital in their essence.  There is an intimacy of the emerald table – as above, so it grows below:  the currency ascends through the descent.

I feel and endure the descent, but later on like yeast it rises and leavens the loaf, spreading it far and wide.

Diagram, cube, weathercock

My solar atom is a weathercock – a cube of space;  the six directions N E W S and up and down;  the holy hexagon, the cube of Solomon, a metaphysical spatial reality.  As soon as I am aware of it, I know my purpose, and gently it flows into concentric raindrop circlings of humankind:  I know it and I become still.   I become still not with my intention which is a confused and muddy pool, but as soon as I am aware of the grace flowing in and out.  Then I am in my natural shul.

paul mandala 2015 - detail

I was picturing Issy there, in his usual seat, with his white shawl wrapped around him, and his sparkling joyous gravity.  I feel he was an architect in the medieval flowering of sacred geometry and alchemical science, when Jewish and Islamic sages worked together. When – like him – we are called back into the Scroll, we are all the names that were ever given us on earth – and so we have no particular one, we are nameless!

Issy B

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Torah

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When I ask where and what is God, and love of God, God happens when a tabernacle opens.  When Yeshua stood with his friends on the mountain, their tabernacles opened to each other, and they KNEW.  The place of rest is the crystal receiving-set through which the Greater Mystery pulses.  In the silence the sages come to life:  the holy mountain.

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Arcanum 7 The Chariot

1 magus - Version 3

In the Tarot, Key Seven awakens this knowledge and response.  It fields and fences the Magician’s ‘house’ or BEIT with CHETH the enclosure.  It takes a while to tap the portal;  but this morning again it stood open – it flows through here.

The Seventh Arcanum rests within the sense of expansion.  It is a seven pointed star.  The Seventh Arcanum reminds me now that each Tarot Key is a holy transmission, a contemplative and living silence.  The enigmatic image releases a quantum of shabat shalom baruch:  a commitment.  The prayer does not repeat;  it is new born.

For Issy:  Go Well!

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Seven Branch Star

How to make a seven point star – with the 51-degree angle in the Druid’s Cord

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jacobs ladder

Jacobs Ladder – the Four Worlds, Aziluth (Divine), Beriah (Creation), Yetzirah (Formative and Psyche) and Assiyah (Material world)